The El Puente action emerged from an archive purchased by Óscar Muñoz (born 1951) in the late 1970s from one of the city’s photography labs, which consisted of images recorded by the fotocineros [street photographers]. These were informal photographs that captured images of passersby, creating portraits without interfering with the subjects. Muñoz slowly and carefully studied the archive and then selected 100 images taken at the Ortiz Bridge. In the bridge, Muñoz saw a symbolic construction that linked the city center to northern Cali. Beyond its role as a functional public construction (an axis of flows and journeys), it was a backdrop for customs, rites, and social encounters. Muñoz converted the 100 images into digital format and created a filmstrip in chronological order to be projected across the surface of the Cali River as it passed under the Ortiz Bridge. With this event, Muñoz used visual material that had been cast aside to reconstruct a fragment of Cali’s history, thereby reassigning it new meaning. Muñoz, la Galería Alcuadrado [the Alcuadrado Gallery] (Bogotá), and the Cali Chamber of Commerce published the leaflet linked to the event. Along with the images and text presented, the artist informs of the motives for the event, as well as the visual and theoretical referents that underlie the work. Leaflets were distributed in strategic places at the event (November 4, 5, and 6, 2004), and helped explain the event to the surprised viewers. Muñoz’s El Puente is not well known, owing to its ephemeral nature. Therefore, this document telling of the artist’s interest in carrying out his work is important. No critical text has been found about this event. In some documents, such as Diego Garzón’s interview of Muñoz for his book Otras Voces otro arte [Other Voices, Other Art] (2004) (see Óscar Muñoz,” doc. No. 855687), it is barely mentioned. In fact, there is no commentary specifically focused on the design. There is a related opinion column written by Boris Salazar, published on November 14, 2004, in the daily newspaper, El Tiempo de Cali. The Galería Alcuadrado has the leaflet in its archive of traveling exhibitions, but it is not widely circulated.