For six years, Diego Garzón (born 1974) was an arts journalist for the magazine, Semana [Week]. This publication, still active today, has an arts section that has long held an important place in Colombian public opinion. Garzón’s book, Otras voces otro arte, is a collection of ten interviews with Colombian artists he considers representative in local and international contemporary art. Among these artists, Óscar Muñoz (born 1951) is distinctive. Muñoz is a recognized artist who has consolidated a visual language that redefines time and space to make way for an art in which process is a key determinant. His work is not limited to being a site to be studied but rather it establishes a type of dialogue with the viewer. These and other remarks come up in the interview and lead the way to an understanding of his subsequent work, in which his creative speculation and concerns take on a material form. Moreover, it becomes clear how Muñoz gives life to the events recorded by the media with his own ideas. These are events related to death, violence, and forced disappearance, which are stated in new ways and put into creative projects. They are relevant if they are understood as an exercise in construction of memory and meditation on the problems that have prevailed in Colombia’s recent history. It is important to add that by the year 2005, Muñoz was considered a mid-career artist, which means having the artist himself speak about his experience and thus having the opportunity to think of the role contemporary art plays in Colombia.Garzón’s experience as a journalist covering the arts caused him to become concerned about the general public’s lack of awareness of local visual arts events. This is why he decided to perform a study and publish a book that would update the referents and guide the viewing of those interested in the matter. In this regard, Otras voces otro arte is valuable as a document written in nonspecialized language and offering [a review of] a gamut of contemporary Colombian artists and their work processes. Thus, this publication offers the general reader an opportunity to become an educated art viewer. Otras voces otro arte (2005) has a prologue written by Eduardo Serrano, a recognized Colombian art historian and critic. Other interviews also published in the book are Garzón’s conversations with the following artists: Johana Calle, Delcy Morelos, María Fernanda Cardoso, Juan Fernando Herrán, María Teresa Hincapié, Nadín Ospina, José Alejandro Restrepo, Miguel Ángel Rojas, Gloria Posada, and Carlos Uribe. This document can be seen in conjunction with the following texts from the digital archive: “The Process of the (de)composition” (see doc. No. 1133253); “Óscar Muñoz en la Galería LedisFlam” [Óscar Muñoz at the LedisFlam Gallery] (doc. No. 854946);and, Re-aligning Vision: Alternative Currents in South American Drawing (doc. No. 860761).