In this book, Marta Traba examines how the growing influence of art of the United States has shaped the art of Latin America during the 1950s and ‘60s, and how Latin American artists have both succumbed and resisted the effects of this influence. The influence of art of the United States in Latin America is a troubling problem, because movements such as Abstract Expressionism, Pop, Op, and Happenings, were developed in the context of highly industrialized urban centers, according to Traba. The alienation of the individual in the context of the United States has transformed art into objects of consumption, so that the experience of looking at art is no longer a prolonged intellectual experience (as it should be, Traba asserts), but, instead is an instantaneous moment of identification and pleasure. Latin Americans, who have not uniformly experienced advanced industrialization, are not formed by consumerism or alienation. In the third and fourth chapters, she examines at length how, during the 1960s, Latin American artists have either succumbed or resisted the influence of art of the United States. Characterizing Latin American contemporary art as either “closed” or “open,” Traba argues that the first type of art, although it often is fluent in international idioms, is concerned with the subjective, myth, and cyclical, repetitive time. As examples, she cites the works of Andrés Obregón, Alejandro Botero, and José Luis Cuevas, among others, as well as the development, generally, of neo-figurative work and the revival of drawing in the region. Traba juxtaposes this kind of work with examples of “open” art, including the recent developments of Geometric Abstraction in Buenos Aires, of public Kinetic Art in Caracas, and Marta Minujín’s Happenings in Buenos Aires, all of which, reduce the experience of art to consumerism. Traba ends by reminding her reader how the cultural imperialism of the United States in Latin America during the 1960s has been accompanied by political domination of the United States, including real actions against Dominican and Cuban independence (1965 and 1959, respectively).