Topic Descriptor: public policy×
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  • Objeto y Significación de Un Salón de Arte
    Baroffio, Orestes, 1879-1963
    This is a speech on private art collections given by Orestes Baroffio, the president of the Municipal Commission of Culture of Montevideo in 1944, on the occasion of the opening of the Salón de Arte Extranjero, held at the exhibition center, Subterr [...]
    ICAA Record ID: 1210990

  • Hablan los artistas : el estado y la cultura
    González Uribe, Guillermo, 1955
    In March 1988, journalist and editor Guillermo González Uribe, then editor-in-chief of the journal ¡Viva el arte! interviewed nine Colombian artists of different generations to ask their opinions about the following: What function should be [...]
    ICAA Record ID: 1131143

  • Cultura audiovisual e arte contemporânea
    Ramos, José Mário Ortiz; Bueno, Maria Lucia
    This text analyzes the reorganization of cultural production, principally of an audiovisual and visual nature, in the context of globalization. Its authors examine the role of governmental policies in culture and the growing importance of culture in [...]
    ICAA Record ID: 1111336

  • Centro Cultural São Paulo : 1991
    Barros, Stella Teixeira de
    This text is an analysis of the two years that had passed since the opening of the Divisão de Artes Plásticas do CCSP (Centro Cultural São Paulo), reorganized in 1989. Stella Teixeira de Barros emphasizes that in spite of remaining fairly distant [...]
    ICAA Record ID: 1111297

  • Apresentação
    Firmo, Walter, 1937-
    This essay introduces I FotoNorte, the exhibition held in equatorial Belém, in the state of Pará. The show consisted of a selection of photographs of the Brazilian Amazon taken as part of a larger project sponsored by the Instituto Nacional de [...]
    ICAA Record ID: 1111169

  • O artista e a criação
    Mühlenberg, Liane
    This debate organized by the journal Módulo, brought together visual artists Luiz Áquila, Ana Letícia, and Jorge Guinle Filho, actor Buza Ferraz, choreographer Regina Miranda, and literary critic Heloisa Buarque de Hollanda. The theme under [...]
    ICAA Record ID: 1110950

  • Balanço geral da vida oficial das artes plásticas em 1950
    Cordeiro, Waldemar, 1925-1973
    Waldemar Cordeiro, one of the major figures in Brazilian visual arts, provides a broad overview of events in that field in the early 1950s, a key decade in the history of the arts in Brazil. Cordeiro lists the exhibitions, courses, and conferences [...]
    ICAA Record ID: 1085395

  • [Letter] 1937 June 9, São Paulo, Brasil [to] Luiz da Câmara Cascudo
    Andrade, Mário de, 1893-1945
    In this letter, the writer Mário de Andrade critiques the researcher Luiz da Câmara Cascudo’s articles about folklore. He notes, however, the latter’s rigorous, scientific approach to the subject. The letter mentions (though not explicitly) [...]
    ICAA Record ID: 1084833

  • O congresso internacional de folclore
    Miranda, Nicanor
    The author discusses the conclusions of the CIF (Congrès International de Folklore), held in Paris in 1937, and reviews Brazilian participation in the event. He mentions the congratulatory words expressed by André Varagnac, the assistant curator of [...]
    ICAA Record ID: 1083911

  • Estatutos da Sociedade de Etnografia e Folclore
    These are the statutes of the Sociedade de Etnografia e Folclore (SEF, established in the state of São Paulo). The statutes define the mission of the Society: “to guide, encourage, and communicate ethnographic, anthropological, and folkloric [...]
    ICAA Record ID: 1083656

  • Arte "brasileira" não existe
    Dias, Antônio, 1944-
    From the perspective of a practicing artist, Antonio Dias demands greater organization of the Brazilian cultural sector. He asserts that following the military coup of 1964, Brazilian culture became irrelevant on the global scene due not to a lack of [...]
    ICAA Record ID: 1075066

  • 3. Salão da Pro Arte = 3. Jahres-Kunstausstellung der Pro Arte
    Heuberger, Theodor
    This text is the monthly bulletin of the Sociedade Pro Arte which includes the list for the catalogue of works presented at the III Salão da Pro Arte, a few of which it reproduces within. The following artists participated in the exhibition: Alberto [...]
    ICAA Record ID: 785228

  • 1o. Salão de Arte - Feira Nacional de Indústrias
    The catalogue for I Salão, the exhibition sponsored by the Feira de Indústrias, includes essays written by the organizers of the event: Elias Chaves Neto, Vittorio Gobbis, and Quirino da Silva. Gobbis talks about the meaning of art and [...]
    ICAA Record ID: 785193

  • O Salão
    Andrade, Mário de, 1893-1945
    This article is about the Salão Nacional de Belas Artes that was organized by the architect Lúcio Costa; it explains that the organizing committee decided that no submission would be rejected. This prompted the “old guard” artists to boycott [...]
    ICAA Record ID: 784285

  • Museu de arte moderna
    Andrade, Oswald de, 1890-1954
    In this article, Oswald de Andrade claims there is an urgent need to create a modern art museum in the city of São Paulo, underscoring the fragile nature of and almost nonexistent institutional support for the Brazilian art system. De Andrade [...]
    ICAA Record ID: 784030

  • Serviço do Patrimônio Historico e Artistico Nacional
    Andrade, Mário de, 1893-1945
    Mário de Andrade authored the draft for the internal structuring of SPAN [National Artistic Heritage Service], the entity that oversees eight categories of artistic activities: archeological art, Amerindian art, popular art, historical art, national [...]
    ICAA Record ID: 781826

  • Paulo Duarte
    Andrade, Mário de, 1893-1945
    In this letter to the intellectual Paulo Duarte, Mário de Andrade discusses the need for a policy governing the protection of the cultural heritage of Brazil in order to prevent the scourge of contraband and the sale of artwork of historical or [...]
    ICAA Record ID: 781201

  • Expedição às matas virgens de Spamolândia
    This is the program for the carnival party sponsored by the Sociedade Pró-Arte Moderna(SPAM) in February 1934, an event that was also referred to as the Grande Expedição às Matas Virgens da Spamolândia [Great Expedition to the Virgin Jungles of [...]
    ICAA Record ID: 771325