-
El arte y la violencia bipartidista
1999Curator and historian Álvaro Medina wrote an essay that addresses the socio-political and aesthetic history of Colombia during the second half of the 20th century. One section of the essay, “El arte y la violencia bipartidista,” deals with the [...]ICAA Record ID: 1132272 -
Una pintora proscrita
1986By 1986, when this interview was published, artist Débora Arango was in her eighties and afflicted with health problems that prevented her from painting. Despite the fact that she did not grant many interviews due to her failing memory, in this [...]ICAA Record ID: 1129942 -
Salón de Arte Moderno 1957 : 50 años de arte en la BLAA
2007Published in the catalogue to the exhibition commemorating the fiftieth anniversary of the Primer Salón de Arte Moderno, this text by Sylvia Juliana Suárez presents the idea, process and results of a curatorial and editorial project formulated by [...]ICAA Record ID: 1102693 -
Los pintores se sublevan contra el fallo del jurado
1984The decision of the jury at the painting salon presented at the Club Unión in Medellín in November 1939 incited indignation and protest amongst traditional painters from the Antioquia region. The main voices of the traditionalists were Eladio Vé [...]ICAA Record ID: 1100268 -
El arte no tiene que ver con la moral, afirma Débora Arango
1984In this interview with Débora Arango Pérez by an anonymous journalist for the liberal Medellín-based newspaper El Diario, the artist discusses certain aspects of her life. She also explains her ideas about the nude genre and the relationship [...]ICAA Record ID: 1100236 -
Débora Arango, una discípula del Expresionismo : una artista colombiana
1940This is an interview, complete with editorial comments, that was published in the newspaper El Heraldo de Antioquia on the occasion of the exhibition of works by the Colombian painter Débora Arango in Bogotá in 1940. Arango mentions the reactions [...]ICAA Record ID: 1099456 -
Cuaderno de notas
2007This text consists of reproductions of some pages from a notebook where painter Débora Arango jotted down information and impressions during her stay in Spain in 1954 and 1955, as well as comments by Colombian curator and artist Santiago Londoño V [...]ICAA Record ID: 1097788 -
Rúbrica : Débora Arango Pérez o la bizarría estética
1940In this article, conservative journalist José Mejía y Mejía provides a lucid and surprising defense of Colombian painter Débora Arango, whose exhibition had opened at the Teatro Colón in Bogotá on October 5, 1940. In José Mejía y Mejía’s [...]ICAA Record ID: 1094526 -
[En Colombia, algunas mujeres artistas se han ocupado...]
2004This is the text for Otras Miradas = Other Glances, written by the historian and art critic Carmen María Jaramillo Jiménez for the exhibition that was organized with the help of the Colombian Ministry of Foreign Affairs in 2004. The [...]ICAA Record ID: 1092368