Documents of Latin American and Latino Art

This article reviews the exhibition Summertime at the Centro Cultural Ricardo Rojas, December 1991-February 1992. It describes the exhibition as “retrospective-festive, that includes young artists—those who passed or did not pass through this [...]

Under the guise of an interview with visual artist Sebastián Gordín, this article sets out to review the exhibition that he presented in 1992 at the entrance to the ICI (Instituto de Cooperación Iberoamericana [Institute for Iberian-American [...]

The question asked by French art critic Pierre Restany in this article is this: how is the political and general cultural context of the 1990s, characterized by the double presidential mandate of Carlos Saúl Menem, related to artistic [...]

Following the El Tao del Arte exhibition (Buenos Aires: Centro Cultural Recoleta, May 13–June 8, 1997), Pacheco describes Galería del Rojas’s character during its beginnings: the curatorial policy of Jorge Gumier-Maier (its director), the [...]

The text narrates, as it explains, how the Galería del Centro Cultural Ricardo Rojas was born; the main traits of the works and artists that it housed; the support and enthusiasm received from the first moments by already acclaimed artists such as [...]

The article reviews the exhibition El Rojas presenta: Algunos Artistas [The Rojas presents: Some Artists] (Buenos Aires: Centro Cultural Recoleta, from August 26 to September 6, 1992).   He describes the Galería del Centro Cultural Ricardo Rojas [...]