Documents of Latin American and Latino Art

This article by Olívio Tavares de Araújo discusses the exhibition Pintura como meio (1983) held at the Museu de Arte Contemporânea da Universidade de São Paulo (MAC-USP), which at the time was directed by Aracy Amaral. The exhibition brought [...]

In this text, critic and curator Aracy Amaral presents the group show “Pintura como meio,” held at the Museu de Arte Contemporânea da Universidade de São Paulo in 1983. According to Amaral, who was the director of the museum [...]

The Brazilian professor and art critic Aracy Amaral introduces Arte Híbrida, the exhibition organized by the MACU in Sao Paulo where she was the director. She highlights the creativity of the participating artists and their search for a Brazilian [...]

In this text, Sérgio Romagnolo expresses the need for a “unique vision” in order to understand Brazilian art. He believes that Brazilian artists should not be seen from a European perspective and maintains that it is still possible to develop [...]