Subject: http://vocab.getty.edu/aat/300264387×
Topic Descriptor: images×
Topic Descriptor (local): http://vocab.getty.edu/aat/300264387×
Name Descriptor: http://vocab.getty.edu/aat/300264387×
  • (?)? Pergunta dentro de pergunta
    Basbaum, Ricardo
    2000
    In this text, artist Ricardo Basbaum reflects on specific aspects of his production in order to investigate the broader issues underlying his Novas Bases para a Personalidade (NBP) project. By means of the oral style of the text, the artist engages [...]
    ICAA Record ID: 1110995

  • [En la nueva cultura visual,...]
    Laignelet Sourdis, Victor, 1955
    1998
    The Colombian artist Víctor Laignelet discusses the ability in painting to expand its range of action—what he calls its antropofagia [anthropophagy]—as it absorbs “new visual expressions” such as “installations,” exposing the roots of [...]
    ICAA Record ID: 1076692

  • [Estas Nenias continúan,...]
    Stefano, Victoria de
    1985
    The researcher Victoria de Stefano wrote the introduction to a catalogue for the 1985 exhibition Nenias by the graphic designer Gerd Leufert at the Museo de Bellas Artes in Caracas. She provides an overview of the artist’s work, in contrast with [...]
    ICAA Record ID: 1155483

  • A imagem pré-fotográfica, fotográfica, pós-fotográfica
    Santaella, Lucia
    1994
    In this text, researcher Lucia Santaella formulates a study that identifies and examines the changes in paradigm for the production, storage, exhibition, and reception of the image in different registers of the human psyche. She associates the [...]
    ICAA Record ID: 1110929

  • Arte-mídia : novos enfoques, novas possibilidades e características da produção artística
    Bambozzi, Lucas; Bousso, Daniela; Goifman, Kiko; Mello, Christine; Pizzini, Joel
    2002
    Daniela Bousso opens the roundtable by introducing the participants, their practices, and their work in the realm of audiovisual art. Christine Mello assesses the Prêmio Sérgio Motta, which, in her view, is limited insofar as it is a prize for [...]
    ICAA Record ID: 1111302

  • As imagens de terceira geração, tecno-poéticas
    Plaza, Julio
    1993
    In this text, Julio Plaza draws a parallel between photography’s impact on nineteenth-century iconography and the current transformation with images that no longer depend on artisanal or mechanical systems, but rather on digital ones. Plaza senses [...]
    ICAA Record ID: 1111372

  • As relações futuras do homem com a máquina
    Bril, Stefania
    1986
    In the opinion of Stefania Bril, Vilém Flusser’s attempt to categorize photography according to a number of concepts—as both Roland Barthes and Susan Sontag had done before him, articulating “post-historical” thinking in the process— [...]
    ICAA Record ID: 1110897

  • Considerações sobre o uso de imagens de segunda geração na arte contemporânea
    Chiarelli, Tadeu, 1956-
    1987
    Tadeu Chiarelli sees “the quote” as one of the defining features of contemporary art, taken from visual systems and inspired by a vast array of images and preexisting artistic procedures. He scours his sources, noting the role played by [...]
    ICAA Record ID: 1110502

  • Esto no es un límite
    Araujo, Gabriel
    1999
    According to the poet Gabriel Araujo, the Venezuelan visual artist Luis Romero’s works on paper stretch limits and genres, and overrun the borders of literature. Romero associates images with words that complement each other (“the opacity of the [...]
    ICAA Record ID: 1160353

  • Introduction
    Venegas, Sybil
    1990
    This essay by Sybil Venegas was the introduction to the catalogue of the 1990 exhibition, Image and Identity,which was curated by him and held at the Laband Art Gallery, Loyola Marymount University in Los Angeles, California. According to Venegas, [...]
    ICAA Record ID: 803125

  • La lectura del sistema
    Agrest, Diana; Gandelsonas, Mario, 1938-
    1970
    Architects and theoreticians Diana Agrest and Mario Gandelsonas assert that the work of conceptual Argentinean artist Lea Lublin is a reflection in a practical state, since it unravels the mechanisms ruling the production of images in the [...]
    ICAA Record ID: 766896

  • O quarto iconoclasmo
    Machado, Arlindo
    2001
    This text by Arlindo Machado addresses iconoclasm, that is, aversion to the image. Some cultures over the course of history—among them Judaism, Christianity, Islam, and Greek and Reformation thought—have nourished mistrust, and even rejection, of [...]
    ICAA Record ID: 1111323

  • Perla Benveniste
    Benveniste, Perla
    1971
    Reply of Argentinean artist Perla Benveniste to the summons to express herself against the 1971 São Paulo Biennial. This artist responds through a graphic image with geometric forms printed over a hand [...]
    ICAA Record ID: 765986

  • Proceso a la imagen I : índice de imagen
    Lublin, Lea, 1929-
    1970
    The conceptual artist Lea Lublin writes that her work analyzes the problem of the image stemming from its inscription in space, which is considered as a continuous medium of transformations. For her, the artwork is an image index (which is off- [...]
    ICAA Record ID: 766850

  • Tres acepciones de iconografía virtual
    Von Dangel, Miguel, 1946-
    1986
    In this article Miguel von Dangel describes the three classifications he uses for images and art. Inspired by Umberto Eco’s semiological ideas, the first of these explains the depiction of horror and monstrous ideas in art as a way to reveal “the [...]
    ICAA Record ID: 1102141