Subject: http://vocab.getty.edu/aat/300185409×
Topic Descriptor: actions (works of art)×
Topic Descriptor (local): http://vocab.getty.edu/aat/300185409×
  • ¡Ay sudamerica! 400.000 textos sobre Santiago
    Colectivo Acciones de Arte (Chile)
    1981
    This document was part of the action with the same name—¡Ay sudamerica! 400.000 Textos sobre Santiago—[Ay, South America! 400,000 Texts over Santiago] carried out by C.A.D.A. (Colectivo de Acciones de Arte) [Art Action Collective] in 1981 in [...]
    ICAA Record ID: 730004

  • “Tucumán Arde” : obra de vanguardia en la Confederación General del Trabajo de los Argentinos, Regional Rosario
    Secretaría de Prensa de la CGT de los Argentinos, regional Rosario
    1968
    This short news item was prepared as sketchy materials for press release  shortly after the inauguration of the Tucumán Arde [Tucumán Is Burning] exhibition at the CGT (Confederación General del Trabajo) in Rosario. The circumstances of the [...]
    ICAA Record ID: 760161

  • “Tucumán Arde”- Arg. Respuesta a un cuestionario : para Escuela de Letras, Universidad de La Habana
    Ferrari, León, 1920-
    1973
    León Ferrari writes a detailed evaluation of Tucumán Arde [Tucumán is Burning], framing it within the previous events (Itinerario del ’68) [Timetable for 1968]. In it he points out that “its purpose was to make art into a revolutionary tool, [...]
    ICAA Record ID: 761415

  • [Angelical Carnevale]
    1968
    This article, published in the young newsmagazine Boom (Rosario, Argentina, November 1968), narrates what happened during the “lock-up” action carried out by Graciela Carnevale at the “Ciclo de Arte Experimental” [Experimental Practices of [...]
    ICAA Record ID: 755947

  • [Cronología del itinerario de 1968]
    1968
    This chronology begins in January and February of 1968, the starting point of the vanguard artists’ radicalization of that year, with a series of informal discussions about “the possibility of creating a cultural phenomenon” that would be “ [...]
    ICAA Record ID: 759873

  • [El fenómeno estético, como cualquier otro fenómeno cultural...]
    Rosa, Nicolás
    1968
    [Literary critic and intellectual] Nicolás Rosa presented this text for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Encounter of Avant-garde Art] (Rosario, Argentina, 1968). It appeals to the communications [...]
    ICAA Record ID: 760282

  • [El Grupo de Plásticos Argentinos de Vanguardia...]
    Escandell, Noemí
    1968
    This early declaration—most likely written when Tucumán Arde [Tucumán Is Burning] was taking shape (early October 1968)—presents some of the basic ideas behind the group’s collective work. First, it denounces General Juan Carlos Onganía’s [...]
    ICAA Record ID: 760062

  • [Entrada de cineclub Grupo 65 “Tucumán Arde”]
    1968
    The first phase of the Tucumán Arde [Tucumán Is Burning] campaign began with the appearance of advertising posters bearing the word “Tucumán” pasted on walls in Rosario, especially in the industrial workers’ neighborhoods. The posters [...]
    ICAA Record ID: 760117

  • [Frente a los acontecimientos políticos y culturales que tienen...]
    1968
    This declaration presents a series of definitions upon which the Tucumán Arde [Tucumán Is Burning] exhibition was founded. It defines it as “a collective work that, as it employs new channels of communication and expression, empowers the creation [...]
    ICAA Record ID: 760080

  • [Imaginar esta página completamente blanca...]
    Colectivo Acciones de Arte (Chile)
    1979
    This page done by the group C.A.D.A. (Colectivo Acciones de Arte) [Art Action Collective] was political commentary in the form of a magazine insert. Such an insertion was included among the activities specified in the art action, Para no morir de [...]
    ICAA Record ID: 732047

  • [La violencia del régimen es cruda y clara cuando se dirige contra la clase obrera...]
    Plásticos de Vanguardia
    1968
    In the declaration they issued as a companion statement to the Tucumán Arde [Tucumán Is Burning] exhibition in Buenos Aires, the artists condemn the regime’s violent excesses that, though subtle when applied to the arts, are nonetheless intent on [...]
    ICAA Record ID: 759917

  • [Letter] 1964 septiembre 16, Buenos Aires [to] Samuel Paz
    Rubió, Nicolás
    1964
    The letter sent by artist Nicolás Rubió to Samuel Paz expresses his dissatisfaction due to the impossibility of carrying out Operación corpiño [The Bra Operation], an action that consisted of depositing a collection of bras and panties at the [...]
    ICAA Record ID: 762336

  • [Letter] 1968 Mayo 13, Buenos Aires [to] Jorge Romero Brest
    Suárez, Pablo, 1937-
    1968
    Pablo Suarez’s letter is defined as a work of art. It is, at the same time, a quit of his participation in the exhibition, which he handed out to the attending public at the Experiencias 1968 [The 1968 Visual Practices]. The author starts by [...]
    ICAA Record ID: 756351

  • 17 artistas detrás de la dialéctica de lo simple : Tucumán: planta piloto para un nuevo concepto
    Glusberg, Jorge
    1969
    Glusberg’s article describes (with a few inaccuracies) Tucumán Arde [Tucumán Is Burning] (1968), the landmark artwork/event produced by the avant-garde of Rosario, Argentina, during the period spanning 1966–68. In terms of the work involved, [...]
    ICAA Record ID: 750378

  • Acerca de la poesía en acción
    Barboza, Diego, 1945-
    1995
    In his proposal/script Acerca de la poesía de acción the Venezuelan artist Diego Barboza explains the importance of this urban project. The performance is a collective experience in which participants wear (red and blue) hats which, in his opinion [...]
    ICAA Record ID: 865802

  • Agitación y propaganda : artistas plásticos en el conflicto de Fabril
    1969
    This unsigned report, published in Sobre Nº 1 [Envelope no. 1], documents the experiences of a group of artists who joined the strike committee of Fabril Financiera in February 1969. It discusses the difference between producing a work of art or an [...]
    ICAA Record ID: 761435

  • Arde Tucumán
    1968
    This article includes the most significant sections of the report prepared by Miguel Murmis, Silvia Sigal, and Carlos Waisman, the sociologists and members of the CICSO (Centro de Investigación en Ciencias Sociales [Social Sciences Research Center [...]
    ICAA Record ID: 751376

  • Argentine subversive art : the vanguard of the Avant-Garde
    Comité Coordinador de la Imaginación Revolucionaria
    1970
    This United States academic journal disseminates the translation of the Cronología [Chronology] prepared by the artists reporting on the events that occurred throughout 1968, as well as other documents of their timetable, although with modified [...]
    ICAA Record ID: 761589

  • Arte de Acción en Latinoamérica : cuerpo político y estrategias de resistencia
    De Gracia, Silvio, 1973-
    2010
    In this essay, critic and performer Silvio de Gracia explains the importance of and provides context for “action art” in Latin America. He demonstrates its specificity in the region, showing how it differs from similar tendencies in Europe and [...]
    ICAA Record ID: 1240673

  • Arte de vanguardia : Tucumán Arde en la CGT
    1968
    This brief note, which appeared in Rosario’s most important daily newspaper, reports on the inauguration of the Tucumán Arde [Tucumán Is Burning] show at the CGT (Confederación General del Trabajo) headquarters in Rosario on November 3, 1968. It [...]
    ICAA Record ID: 758479

  • Arte y comunicación de masas : Artistas plásticos del litoral dieron en una conferencia de prensa las características de un plan de información
    1968
    This extensive article first appeared in La Gaceta [The Gazette], Tucuman’s most important newspaper, reporting on the first press conference given by the artists upon arriving at Tucumán for their second research trip in October 1968. Accompanied [...]
    ICAA Record ID: 758524

  • Arte y política
    Verbitsky, Horacio
    1968
    This prescient op-ed takes the events at the 1968 Braque Prize (sponsored by the French embassy in Argentina) as a starting point and uses them to arrive at the conclusion that the finest artwork was the “uproar” that occurred due to the [...]
    ICAA Record ID: 766289

  • Artistas Argentinos de Vanguardia : “Tucumán Arde”
    Confederación General del Trabajo de los Argentinos; Grupo de Arte de Vanguardia (Argentina)
    1968
    In this text, the work is presented as a joint production of the Grupo de Artistas Argentinos de Vanguardia (this is the only document in which they use that exact name) and the labor union. The basis of their denunciation of the government policy is [...]
    ICAA Record ID: 760046

  • Artistas de vanguardia
    1968
    This note appeared in La Gaceta [The Gazette],Tucumán’s most important newspaper, reporting on the Rosario artists’ first exploratory trip to Tucumán in September 1968.  The trip had repercussions in the media, as seen by this account in the [...]
    ICAA Record ID: 758511

  • Artistas de vanguardia en Tucumán
    1968
    This short notice in La Tribuna, a Rosario daily newspaper, records the beginning of the artists’ journey to Tucumán. The work in progress is proposed as a collective effort that would integrate artists from different disciplines. Moreover, the [...]
    ICAA Record ID: 758498

  • Assez de mystifications
    G.R.A.V. (Association)
    1963
    Under the title “Basta de mistificaciones” [Enough with the mystifications] the Groupe de Recherche d’Art Visuel (GRAV) [Visual Arts Research Group] signed a manifesto that would become the basis of the present-day relationship between [...]
    ICAA Record ID: 773146

  • Cada 20 años
    Eltit, Diamela, 1949-
    1999
    In her essay “Cada 20 años” (Every 20 Years), Diamela Eltit reviews the art activities organized by C.A.D.A. (Colectivo de Acciones de Arte; Art Action Collective) during the two decades since the group was started in 1979. She [...]
    ICAA Record ID: 740299

  • CAyC : Fuego el jueves 15 (GT57)
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    1971
    The text announces and describes an act to be performed simultaneously by an artist in Buenos Aires and another in the United States. Working in synch on June 15, 1971, Hugo de Soto and Genys Dignac will research the nature of fire as an aesthetic [...]
    ICAA Record ID: 743657

  • Circular a todos los gremios
    Quagliaro, Héctor; Zubiri, Juan Carlos
    1968
    This circular, signed by the regional secretary and the secretary for Press and Propaganda of the CGT (Confederación General del Trabajo) [General Work Confederation] of Rosario is addressed to the union members in order to inform them on the [...]
    ICAA Record ID: 761529

  • Comunicación a nivel social
    Glusberg, Jorge
    1968
    This article—a summary of Tucumán Arde [Tucumán is Burning] when it was still in the process of being realized—is of interest because it identifies the work as belonging to “Arte y comunicación de masas” [Art and mass communications], [...]
    ICAA Record ID: 761492

  • Del cuerpo al vacío : una situación de Antonieta Sosa
    Sosa, Antonieta, 1940-
    1985
    In this gallery text, Venezuelan artist Antonieta Sosa describes the action Del Cuerpo al Vacío [From My Body to the Void], which was structured into three interrelated parts. Part I, performed in the courtyard of the Galería de Arte Nacional (GAN [...]
    ICAA Record ID: 865819

  • Dossier Argentine : Les Fils de Marx et Mondrian
    1971
    This report includes an extensive unsigned article as well as a number of important documents and photos. It begins by presenting the placement and positions of “the boldest artists of their country…and one of the most brilliant teams of the [...]
    ICAA Record ID: 761610

  • Dulce Zipacón
    Caro Lopera, Antonio, 1950-
    1992
    Antonio Caro describes the recipe for mountain papaya jam, which he calls “Dulce Zipacón” [Zipacón Jam] after the ranch that he had in Zipacón, a town in the Department of Cundinamarca in the savannah near Bogotá. The recipe and a design [...]
    ICAA Record ID: 860439

  • Eduardo Favario : 9 al 21 de septiembre
    Favario, Eduardo
    1968
    In the introduction to his proposal, Eduardo Favario stresses that the public should play an active role by means of intervention. He encourages those who had responded to his invitation to set off on an excursion (from the closed venue to another [...]
    ICAA Record ID: 753356

  • Eduardo Ruano expone en el Instituto Di Tella a la Institución Torcuato Di Tella
    Ruano, Eduardo
    1968
    Eduardo Ruano’s leaflet denounces the “cultural machine,” identifies a number of recent acts of censorship at different official art institutions (the Museo Nacional de Bellas Artes, the Museo de Arte Moderno de Buenos Aires), and denounces the [...]
    ICAA Record ID: 751352

  • El arte de los significados
    Ferrari, León, 1920-
    1968
    This text was presented by León Ferrari (1920–2013) for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Conference of Vanguard Art] (Rosario, Argentina, 1968); it proposed what he called an “arte de los [...]
    ICAA Record ID: 755986

  • El happening inoportuno
    1968
    This article reports on Eduardo Ruano’s budding artistic career, which was interrupted by his violent political actions at the museum. It also shows that the authorities were mistaken in believing that Ruano’s work was actually the panel that had [...]
    ICAA Record ID: 751325

  • Emilio Ghilioni, Rodolfo Elizalde : 23 al 28 de septiembre
    Ghilioni, Emilio; Elizalde, Rodolfo
    1968
    Emilio Ghilioni and Rodolfo Elizalde describe their happening as an endeavor in tandem, the result of endless rounds of critical reexamination of both avant-garde art and the deteriorating state of the traditional nexus between the artwork and the [...]
    ICAA Record ID: 753377

  • Equipo de contrainformación
    1973
    This document by the Equipo de Contrainformación [Counter-information Team] (the only material written by the group) is divided into three sections. The first is a declaration of principles; the second is the script for the historical account ( [...]
    ICAA Record ID: 761451

  • Fueron ganadoras en el II certamen de Investigaciones Visuales : Como un desagravio, el Estado compra obras prohibidas en el '71
    Gutman, Daniel
    2004
    Daniel Gutman points out that the Argentine Government apologizes to the artists censored in the II Certamen Nacional de Investigaciones Visuales[Second National Competition of Visual Research] and, although it will not return the amount of the [...]
    ICAA Record ID: 774413

  • Graciela Carnevale : 7 al 19 de octubre
    Carnevale, Graciela
    1968
    This text, written by Graciela Carnevale, explains her intention to lock the public into the exhibition space. She recalls being helped by Nicolás Rosa, and that the text was not circulated to the public until the happening was over. Carnevale makes [...]
    ICAA Record ID: 753392

  • Happening
    1966
    Written in a mocking, ironic tone, this article describes the details of a supposed happening that never actually happenedincluding where it took place, who was there, what they were doing, etc. A strange item is mentioned: the happening was supposed [...]
    ICAA Record ID: 750832

  • Happening para un jabalí difunto
    Eichelbaum, Edmundo E.
    1966
    In this apocryphal newspaper article, the author relies on a number of the standard stereotypes that were used in the Argentine press at that time to refer to experimental art: snobbishness, frivolousness, madness, partying, irrationality, [...]
    ICAA Record ID: 750866

  • Incuestionables y precursoras
    Giudici, Alberto
    2004
    Within the context of the historic reparation received by Gabriela Bocchi—who created Celda [Cell] in tandem with Jorge de Santa María (deceased)—and by Hugo Pereyra—who in turn conceived Made in Argentina with Ignacio Colombres (deceased)— [...]
    ICAA Record ID: 774524

  • Informe : viaje a Tucumán de los artistas
    1968
    This text is a detailed report prepared by the Tucumán Arde [Tucumán Is Burning] organizers that informed the press about the exhibition’s objectives, sent out briefly before the show’s inauguration at the CGT (Confederación General del [...]
    ICAA Record ID: 760022

  • Investigaciones visuales : opinan artistas y jurados ante un decreto discriminatorio
    Monzón, Hugo
    1971
    This article explains that, eight days after the opening of the II Certamen de Investigaciones Visuales [2nd Visual Research Contest] in Buenos Aires, Argentina, in 1971, the public was informed about Decree 5696, which partially acknowledged the [...]
    ICAA Record ID: 772399

  • La caja del cachicamo
    Barboza, Diego, 1945-
    1976
    In this review of La caja del cachicamo, the action art event Diego Barboza presented at the Parque del Este (Caracas, October 1974), the Venezuelan artist describes its purpose and its components. The goal of the event is that the participants’ [...]
    ICAA Record ID: 1154747

  • La nueva moda : [panfleto nº 3]
    Renzi, Juan Pablo, 1940-
    1971
    This new pamphlet, titled “La Nueva Moda” [“The New Style”], demonstrates the inherent contradiction between participating in an exhibition and, at the same time, formulating an extreme critique to be produced within that art institution.  [...]
    ICAA Record ID: 761475

  • La obra de arte como producto de la relación conciencia ética- conciencia estética : (Intento de fundamentación del temario presentado al “Primer encuentro nacional del arte de vanguardia)
    Renzi, Juan Pablo, 1940-
    1968
    The text presented by Juan Pablo Renzi at the Primer Encuentro Nacional de Arte de Vanguardia [First National Encounter of Vanguard Art] is defined as an “attempt to bring about the grounds for the proposed agenda” and presents a framework for [...]
    ICAA Record ID: 755974

  • La realidad tucumana en números
    1968
    This document is a summary containing statistical data (percentages and numbers) of several relevant variables that demonstrate the magnitude of the Tucumán crisis. Actualized data was obtained from different sources (some official and some from [...]
    ICAA Record ID: 760229