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Xerografia artística: arte sem original (da invenção da máquina ao processo xero/gráfico)
1985In this text, Paulo Bruscky discusses the artistic use of Xerox copies. He begins by explaining the physical principles at play in the invention of a process that yields dry copies and does not require photographic paper or chemical substances. He [...]ICAA Record ID: 1111224 -
A invenção e a máquina
1980Aracy Amaral, the Brazilian art critic, discusses the formal qualities of León Ferrari’s work, referring to his inventive use of a machine as a means of reproduction. She can see how Ferrari’s production was affected by the urban environment of [...]ICAA Record ID: 744392