Subject: http://vocab.getty.edu/aat/300056181×
Topic Descriptor: kitsch×
Topic Descriptor (local): http://vocab.getty.edu/aat/300056181×
Name Descriptor: http://vocab.getty.edu/aat/300056181×
  • A mão do povo nordestino
    Bardi, Lina Bò
    1977
    This essay by the architect Lina Bo Bardi is about A Mão do Povo Brasileiro, the exhibition she organized and presented at the Museu de Arte de São Paulo. The exhibition reflects her interest in preserving the traditional arts and culture of [...]
    ICAA Record ID: 1110901

  • Arte e ironía, picado fino : Miguel Harte-Marcelo Pombo
    1991
    This article reviews the Marcelo Pombo and Miguel Harte exhibition held at the ICI (Instituto de Cooperación Iberoamericana) del Centro Cultural de España during the months of April and May 1991. It describes the characteristics of the works of [...]
    ICAA Record ID: 770148

  • Arte Guarango para la Argentina de Menem
    Restany, Pierre
    1995
    The question asked by French art critic Pierre Restany in this article is this: how is the political and general cultural context of the 1990s, characterized by the double presidential mandate of Carlos Saúl Menem, related to artistic productions? [...]
    ICAA Record ID: 769571

  • Avatares del arte
    Gumier Maier, Jorge, 1953-
    1989
    This article is critical of the nature of contemporary art in Buenos Aires, referring specifically to the formal aspect of artworks, the roots of creative inspiration such as social or political issues, and the scope in terms of reception, among [...]
    ICAA Record ID: 768333

  • Beatríz González : pintora colombiana, nacida en Bucaramanga en...
    Chacón, Katherine
    1991
    In Venezuela, curator Katherine Chacón reviews the work of Colombian artist Beatriz González, particularly in reference to her re-creation of artistic masterpieces, in painting, drawing, and objects, since 1962. To do so she establishes connections [...]
    ICAA Record ID: 1161112

  • Ejercicio de Lejanía
    Basualdo, Carlos, 1964-
    1996
    Carlos Basualdo links the works gathered in this exhibition, The rational twist [(New York: Apex Art, February, 1996) with the “memory” of Argentinean Concrete art; almost nonexistent, as such, for economically developed countries, since, at the [...]
    ICAA Record ID: 769155

  • El absurdo y la ficción en una notable muestra
    López Anaya, Jorge
    1992
    The article reviews the exhibition by artists Jorge Gumier-Maier, Benito Laren, Omar Schiliro, and Alfredo Londaibere in the Espacio Giesso, which took place in August 1992. Besides briefly describing the works of each of the artists, it makes a [...]
    ICAA Record ID: 768308

  • El árbol no nos deja ver el bosque : reflexiones en el marco de la Tercera Bienal Salvador Valero
    Ortizpozo, Aníbal
    1990
    Based in Venezuela due to the 1973 Pinochet coup d’etat, Chilean artist Aníbal Ortizpozo presented this text at the III Bienal Nacional Salvador Valero de Arte Popular (Trujillo, 1991), reflecting on the arts beginning with the question: “What [...]
    ICAA Record ID: 1166270

  • El kitsch erótico
    Salazar del Alcazar, Hugo
    1982
    This is the first of three articles about kitsch written by Hugo Salazar. After analyzing the etymology of the German word Kitsch [verkitschen: to be conned or duped] and its relationship to expressions in other languages, he deduces its semantic [...]
    ICAA Record ID: 1142917

  • El kitsch sexual : 2 objectos
    Salazar del Alcazar, Hugo
    1983
    In this essay the author Hugo Salazar discusses how different social groups in Peru use kitsch or “huachafo” words to express their particular tastes in discriminatory terms. He reviews the evolution of the latter Peruvian expression in the early [...]
    ICAA Record ID: 1142964

  • El Rojas
    Gumier Maier, Jorge, 1953-
    1994
    The text narrates, as it explains, how the Galería del Centro Cultural Ricardo Rojas was born; the main traits of the works and artists that it housed; the support and enthusiasm received from the first moments by already acclaimed artists such as [...]
    ICAA Record ID: 768212

  • El Tao del Arte
    Gumier Maier, Jorge, 1953-
    1997
    In this text—the foreword to the exhibition catalog El Tao del Arte exhibition (Buenos Aires: Centro Cultural Recoleta, May 13–June 8, 1997)—, Jorge Gumier-Maier narrates how the conditions of the Centro Cultural Ricardo Rojas, “a place [...]
    ICAA Record ID: 769509

  • Kitsch, cultura y sociedad
    Salazar del Alcazar, Hugo
    1982
    This text is the second of three articles on the kitsch written by Hugo Salazar del Alcázar. In Salazar del Alcázar’s view, “the kitsch is the art of daily life, modern man’s frustrated ideal of joining art to daily life by means of a [...]
    ICAA Record ID: 1142948

  • L´arte dei poveri fa paura ai generali
    Zevi, Bruno, 1918-2000
    1965
    Bruno Zevi discusses the event that prompted the cancellation of Civilização do Nordeste, the exhibition that was to have been presented at the Galleria d’Arte Moderna di Roma, as expressly instructed by the Brazilian embassy on orders from the [...]
    ICAA Record ID: 1110904

  • Los estilos mueren…el kitsch es inmortal
    Sánchez, Osvaldo, 1958-
    2007
    According to the Mexico-based Cuban curator Osvaldo Sánchez, kitsch is a constant trope in the visual culture and art of Cuba. His text traces the evolution and diverse historical reiterations of kitsch on the island, which leads him to parody the [...]
    ICAA Record ID: 1126629

  • Los ruidos de la Conquista en la muestra del Centro Recoleta : con la reinauguración de la muestra sobre el descubrimiento de América, 40 artistas revisan 500 años
    Batkis, Laura
    1922
    This article reviews the exhibition La Conquista (Buenos Aires, Centro Cultural Recoleta, March 1992). It argues that “the response of the forty participating artists are varied. There is no unifying artistic trend.” It gives a detailed [...]
    ICAA Record ID: 769440

  • Notas sôbre o desenho industrial
    Duarte, Rogério
    1965
    In this essay, Rogério Duarte defines “industrial design” as the concept of  form in its serial reproduction. As he references the origins of Renaissance-style typography, he weighs in and deliberates about various theories on the subject, as [...]
    ICAA Record ID: 1111413

  • Preparados, listos, ya : largadas
    Lebenglik, Fabián
    1990
    This text is a brief summary of the characteristics of the works by the artists Santiago Spinosa, José Garófalo and Edgardo Lamelas, whom the author describes as “three young artists who are in the launching stage, consolidating their images with [...]
    ICAA Record ID: 770020

  • Tempos de grossura: o design no impasse
    Bardi, Lina Bò
    1994
    Sixteen years after having worked in northeastern Brazil, specifically in the state of Bahia, architect and cultural administrator Lina Bo Bardi evaluates the state of drawing in a dependent and capitalist country that underwent intense [...]
    ICAA Record ID: 1110902

  • Una recorrida desde Ezcurra hasta Londaibere
    Lebenglik, Fabián
    1991
    This article reviews a number of exhibitions, including Alfredo Londaibere’s show at the Centro Cultural Ricardo Rojas. The reviewer describes Londaibere’s work as “a nod to a variety of styles used in romantic landscape painting that includes [...]
    ICAA Record ID: 769342