-
Whose monument where: public art in a many-cultured society
1994Artist, writer, and activist, Judy Baca analyzes the ideological function served by traditional forms of public art: monuments that commemorate dominant histories and confirm the power of the state and works that ultimately serve the interests of [...]ICAA Record ID: 803081 -
Aesthetic development of Puerto Rican visual arts in New York as part of the Diaspora : the epitaph of the Barrio
2001In this essay, Puerto Rican-born artist, Diogenes Ballester, gives a brief overview of Puerto Rican art and artists working in El Barrio (East Harlem, New York City) from the 1940s to 2000 and categorizes the art produced into three themes: 1) [...]ICAA Record ID: 797329 -
The melting pot concept : and the "am-e-Rican" dream
Marcos Dimas, artista y cofundador del Taller Boricua, ofrece en este prefacio una breve perspectiva general de la evolución del Taller desde la década de setenta al año 2000. En el texto, Dimas describe las dificultades que tuvo que superar el [...]ICAA Record ID: 796552
Documents of Latin American and Latino Art
International Center for the Arts of the Americas at the Museum of Fine Arts, Houston
Explore over 8,000 Documents of 20th and 21st-century art in Latin America, the Caribbean, and among US Latino communities
The ICAA’s digital archive is generously underwritten by The Diane & Bruce Halle Foundation