Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=8897×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=8897×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=8897×
Name Descriptor: Perna, Claudio, 1938-1997×
  • [Vivir quiere decir dejar huellas …]
    Flores, Elsa
    1979
    This article, written by Elsa Flores for Fotografía anónima en Venezuela—the exhibition organized by Claudio Perna at the GAN (Galería de Arte Nacional) in 1979—is divided into three parts. In the first part, Flores discusses the origins of [...]
    ICAA Record ID: 1063156

  • 11 Tipos : arte en Venezuela en los años setenta
    Palenzuela, Juan Carlos, 1954-
    2002
    In the book 11 tipos. Arte en Venezuela en los años setenta, the researcher Juan Carlos Palenzuela makes an exhaustive study of Venezuelan art in the1970s, a time when conceptual art was unquestionably being produced in that country. The author [...]
    ICAA Record ID: 1051955

  • Accrochage y algo más
    Espinoza, Eugenio, 1950-
    1991
    In this essay Eugenio Espinoza names nine artists (himself included) who, in his opinion, have distinguished themselves in the field of contemporary art as being creators of a body of work that “is neither art nor anti-art, but something in between [...]
    ICAA Record ID: 866188

  • Alternativas para un arte masivo : esa es la proposición de la muestra de fotocopias de un grupo de artistas en la librería Cruz del Sur, en lo que consideran la búsqueda de un nuevo mensaje
    1978
    This (unsigned) article is a review of the exhibition of photocopies produced by the artists María Zabala, Roberto Obregón, Diego Rísquez, Joe, Lorenzo Berman, Sigfredo Chacón, Héctor Fuenmayor, and Claudio Perna. The exhibition was held at the [...]
    ICAA Record ID: 1068383

  • Claudio Perna : arte - idea - geografía
    Ramos, María Elena, 1947-
    1987
    In her essay “Arte-idea-geografía,” María Elena Ramos discusses Claudio Perna’s conceptual pieces seen in “conventional” photographs with no “artistic pretensions.” She then turns to Marcel Duchamp and conceptual art. She presents [...]
    ICAA Record ID: 1080766

  • Claudio Perna : fotocopias
    Blanco, Lourdes
    1975
    This essay by the curator Lourdes Blanco was published in the catalogue for Autocopias, the exhibition of works by Claudio Perna. In her essay, Blanco explains that details about the conceptual artist’s life and work were hard to find, so she [...]
    ICAA Record ID: 1080715

  • Claudio Perna o cómo ser libre en la marginalidad
    Guevara, Roberto, 1932-1998
    1981
    This essay by Roberto Guevara was published in the catalogue for Re-presentaciones: foto-grafías y acupinturas (Caracas: Fundación Eugenio Mendoza, 1981), the exhibition of works by the Venezuelan geographer and conceptual artist Claudio Perna. [...]
    ICAA Record ID: 1080814

  • Claudio Perna y el arte del pensamiento
    Vivas, Zuleiva, 1951-
    1996
    In this essay the curator Zuleiva Vivas writes about Claudio Perna. She mentions the difficulties involved in studying a body of (conceptual) work that is as vast and as varied as Perna’s. She lists the media this artist used and the series of [...]
    ICAA Record ID: 1163950

  • Disfruto el estilo de no tener estilo : Claudio Perna
    Oropeza, José Napoleón, 1949-
    1992
    In this interview, José Napoleón Oropeza talks to Claudio Perna, described here as a talkative artist who has taught art and geography to several generations of students. Oropeza includes a description of Perna’s home-studio in Caracas, where [...]
    ICAA Record ID: 1067382

  • El autocurrículum de Claudio Perna, escultura social y novela hiperrealista
    Pérez Oramas, Luis, 1960-
    1994
    In this essay, Luis Enrique Pérez-Oramas analyzes the work Autocurrículum by the Venezuelan conceptual artist Claudio Perna. Pérez-Oramas defines this work from several different angles: as a physical object, as a written work and as conceptual [...]
    ICAA Record ID: 1161917

  • El espíritu de los tiempos
    Barrios, Guillermo
    1991
    In this essay, Guillermo Barrios describes the exhibition El espíritu de los tiempos (Caracas: Ateneo de Caracas / Galería Los Espacios Cálidos, 1991) as a confluence of five different points of view, expressed by the participating curators who, [...]
    ICAA Record ID: 1160984

  • El mono geográfico
    Rangel, Gabriela, 1963-
    2004
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1161933

  • Hoy es arte lo que no era
    D'Amico, Margarita
    1980
    In the first section of Sí y No, her column in the Caracas newspaper El Nacional, the journalist Margarita D’Amico publishes some of the thoughts on “today’s art” expressed by Claudio Perna, the photographer and conceptual artist. Perna [...]
    ICAA Record ID: 1068360

  • Intervención creativa en el contexto social
    Vivas, Zuleiva, 1951-
    2004
    In this essay, which was the main text in the catalogue Arte social. Claudio Perna (Caracas: Galería de Arte Nacional, 2004), Zuleiva Vivas discusses various aspects of Perna’s life and work. She studies the artist’s work from the 1960s to the [...]
    ICAA Record ID: 1161969

  • Introducción. Hipermedios
    Duque, Luis Ángel
    1999
    In this text, the curator Luis Ángel Duque exposes the reasons why the sixth Bienal de Artes Visuales Christian Dior (1999) is dedicated to hypermedia. In his view, each of the twenty-four participants in the exhibition used imagery and expressed [...]
    ICAA Record ID: 1161329

  • La invención de la continuidad
    Pérez Oramas, Luis, 1960-
    1997
    In this essay, published in the catalogue for the exhibition La invención de la continuidad (Caracas: Galería de Arte Nacional, 1997), the curator Luis Enrique Pérez-Oramas discusses questions associated with the development of twentieth-century [...]
    ICAA Record ID: 1101838

  • Lo fundamental es inventar, Claudio Perna : Este domingo expondrá más de cincuenra dibujos en la Sala Mendoza
    Comerlati, Mara, 1952-
    1981
    In this newspaper article Mara Comerlati reviews Re-presentaciones: foto-grafías y acupinturas, the exhibition of works by Claudio Perna at the Sala Mendoza (Caracas, 1981). Comerlati discusses the situation of this artist who, after spending many [...]
    ICAA Record ID: 1068403

  • Los "Once Tipos" y un premio
    Flores, Elsa
    1981
    In this article, Elsa Flores reviews the works by the eleven Venezuelan artists who participated in the exhibition Once Tipos (Sala Mendoza, Caracas, 1981): William Stone, Corina Briceño, Rolando Dorrego, Héctor Fuenmayor, Ana María Mazzei, Manuel [...]
    ICAA Record ID: 1059513

  • Los nuevos procesos y la representación figurativa
    Vivas, Zuleiva, 1951-
    2000
    In the essay “Los nuevos procesos y la representación figurativa” [The New Processes and Figurative Representation], chapter III of the book La desaparición de los límites [The Disappearance of Limits], author Zuleiva Vivas explains the [...]
    ICAA Record ID: 1157174

  • Una historia de la fotografía de Claudio Perna contada por Claudio Perna
    González, Julieta, 1968-
    2004
    In this essay, curator Julieta González discusses artist Claudio Perna, specifically the way he uses photography and his archive-based methodology. González argues that Perna’s photographs can be analyzed in terms of the concept of the “index [...]
    ICAA Record ID: 1161950

  • Una proposición conceptual en el año reveroniano
    D'Amico, Margarita
    1979
    On September 30, 1979 Margarita D’Amico used her column—Sí y No—in the Sunday edition of El Nacional to review the creative work of three Venezuelan conceptual artists: Claudio Perna, Rolando Peña, and Eugenio Espinoza. She included Perna’s [...]
    ICAA Record ID: 1067543

  • Venezuela desde el cielo es como una obra de arte : Claudio Perna en el Ateneo de Valencia
    1992
    This is an unsigned article published in connection with a 1992 exhibition of work by Claudio Perna entitled Venezuela desde el cielo. The article defines him as a fully developed creator and theorist of contemporary life. Moreover, it emphasizes [...]
    ICAA Record ID: 1067408

  • Visión panorámica de las nuevas cartografías
    Vivas, Zuleiva, 1951-
    2000
    The essay “Visión panorámica de las nuevas cartografías. Los años setenta: se borran los límites” is the first chapter of the monographic book by Zuleiva Vivas on the life and work of Claudio Perna. In it, the author provides an overview of [...]
    ICAA Record ID: 1157158