Documents of Latin American and Latino Art

The short article written by the Guatemalan writer extols the artwork of Emilio Amero, who had lived in the United States in the 1920s, enjoying a certain success in the U.S. market. The writer praises the characteristics of the artist’s work— [...]

In this newspaper article, Carlos Mérida, a Guatemalan artist who lived in Mexico, quotes from an essay he had written for the exhibition catalogue, Amero 25 nuevas fotografías [Amero: 25 New Photographs]. He also includes three of Emilio Amero’s [...]

In spite of showing his work in solo photography exhibitions, Carlos Mérida’s favorite subject to write about was Emilio Amero’s cinematographic work. Specifically, he focuses on 3-3-3 shorts, whose balance surprises him, since the medium works [...]

The Guatemalan writer established in Mexico, Luis Cardoza y Aragón, focuses Emilio Amero’s work from a lyrical perspective. In fact, Amero weaves the “snapshot of the word” (poetry), with the photogram (a short space of light and emotion). To [...]

While passing through Mexico after four years in New York, artist Emiliano Amero shares his notebooks with author Martí Casanovas, who enthusiastically points out his themes of advertising, as well as café and cabaret life. In his judgment, they [...]

This article analyzes the photographs exhibited by Emilio Amero at the Galería de Arte Moderno (GAM) under the Dirección de Acción Educativa [Educational Activities Office] of the Departamento del Distrito Federal [DDF, Mexico City-City Hall]. [...]

Carlos Mérida points out the two essential factors for the success in New York of Emilio Amero’s sketches. One is novelty and public interest in different things; the other is the intrinsic goodness of the evolutionary spirit and the strength of [...]

In this article, Luis Cardoza y Aragón identifies the cinematographer Agustín Jiménez as one of the best photographers in Mexico, placing him in the company of Manuel Álvarez Bravo and Emilio Amero. The critic explains the differences between the [...]