Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=739×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=739×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=739×
Name Descriptor: Apollinaire, Guillaume×
  • Desde París : Autopsia del suprerrealismo
    Vallejo, César, 1892-1938
    1930
    In this text, eminent Latin American avant-garde poet César Vallejo asserts that “among the symptoms of the final decline of the capitalist intelligentsia is the vice of coterie.” He argues that the crises of economic imperialism are reflected [...]
    ICAA Record ID: 1293573

  • El estridentismo y la teoría abstraccionista
    Vela, Arqueles
    1923
    After denying the existence of “Estridentista art,” the writer Arqueles Vela indicates his group’s affinity with Abstractionism and with “pure art,” which in his view was considered a condensed expression of modern life, a way of overcoming [...]
    ICAA Record ID: 803840

  • Guillaume Apolinaire : El Marco Polo del Nuevo Arte
    Vinyes, Ramón, 1885-1952
    1919
    In its desire to present the latest news without necessarily taking on a specific stance, the Mexican magazine published an essay by Ramón Vinyes who was from Cataluña. Revista de Revistas broadened its coverage of new art by publishing Guillaume [...]
    ICAA Record ID: 737818

  • Jean Charlot
    Baciu, Stefan
    1970
    Baciu produces a panorama of the work by French painter Jean Charlot, from his early links to his country’s avant-garde and his integration into the first Mexican muralist movement, through to his relationships with the Estridentista movement and [...]
    ICAA Record ID: 737793

  • Polémica
    Agrupación Espacio (Perú)
    1951
    Contrary to the arguments put forth by opponents of “non-figurative” painting, this article maintains that a country’s degree of cultural evolution is in no way tied to its adherence or lack of adherence to a given artistic tendency. While, the [...]
    ICAA Record ID: 1137823

  • Qué debemos al cubismo : La negación del arte burgués
    1936
    This analysis of the meaning of the Cubist rupture—that was published in Frente a Frente [Face to Face], the journal of the Liga de Escritores y Artistas Revolucionarios (LEAR) [League of Revolutionary Writers and Artists]—considers the fact that [...]
    ICAA Record ID: 779370

  • Reflexiones extemporáneas sobre una exposición de pintura
    Moro, César, d. 1956
    1950
    In this article César Moro discusses De Manet a nuestros días, the exhibition of French painting organized by the Municipalidad de Lima. The poet and artist describes French painting as “the best” in the world because of the fusion that [...]
    ICAA Record ID: 1138657

  • Situación de la pintura joven
    Platschek, Hans, 1923-2000
    1950
    This article is by Hans Platschek who was living in Montevideo between 1939 and 1953. The German artist makes a self- analysis on the resulting situation of postwar modernism, specifically the debated notion of “Art Nouveau or young art” both in [...]
    ICAA Record ID: 1228378