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Name Descriptor: Guevara Moreno, Luis, 1926-×
  • El director del museo inaugurará en Alemania la exposición de 12 pintores Venezolanos
    This anonymous article provides a brief review of the exhibition schedule that the Venezuelan artist, curator, and museologist, Miguel Arroyo, who at the time was the director of the Museo de Bellas Artes de Caracas, is organizing. The curator’ [...]
    ICAA Record ID: 1472283

  • Visita al XIX salón de arte venezolano
    Erminy, Perán
    In his review of the XIX Salón de Arte Venezolano (1958), the critic Perán Erminy notes the ingenious reliance on historical criteria in the arrangement of works selected for the event, from the old landscape masters to the new style of Abstract [...]
    ICAA Record ID: 1172221

  • El XVIII salón de arte venezolano
    This anonymous text provides a detailed review of the rooms and halls of the Museo de Bellas Artes (Caracas) containing the works of the XVIII Salón Oficial de Arte Venezolano (1957). The works, according to the author, were grouped in the space by [...]
    ICAA Record ID: 1161294

  • Tres pintores contra la regresión : Luis Guevara Moreno, Julio Pacheco, Jacobo Borges
    In this anonymous article, visual artists Jacobo Borges, Luis Guevara Moreno, and Julio Pacheco voice their opinions of the image of Simón Bolívar the Liberator created by José Campos Biscardi. Guevara Moreno remarks on the conditions that make [...]
    ICAA Record ID: 1154522

  • Guevara se renueva
    Erminy, Perán
    Critic Perán Erminy expresses his opinion of the works by Venezuelan artist Luis Guevara Moreno exhibited at the Sala Mendoza in Caracas. He asserts that because Guevara Moreno has replaced “intimate and autobiographical lyricism” with the [...]
    ICAA Record ID: 1154506

  • La pintura en Venezuela : Guevara Moreno y la realidad
    Guillent Pérez, J. R.
    The writer J. R. Guillent Pérez interviews Luis Guevara Moreno. The conversation reveals, in great detail, why the Venezuelan painter stopped working in an abstract style. Guevara Moreno states that the concerns and “anxieties of people today” [...]
    ICAA Record ID: 1154490

  • Regresará en octubre pintor Guevara Moreno
    This interview with Venezuelan painter Luis Guevara Moreno was held after he had been awarded first prize at the Salón Arturo Michelena. In it, the artist enumerates the opportunities he had to participate in exhibitions in Paris. He also mentions [...]
    ICAA Record ID: 1154474

  • 40 dibujos de Luis Guevara Moreno : reflejan el hombre y el paisaje en la obra de Rómulo Gallegos
    This article examines how Rómulo Gallegos’ writing influenced Luis Guevara Moreno’s painting. The author quotes the painter’s description of producing paintings that illustrate “the setting in a Gallegos story.” Guevara Moreno explains how [...]
    ICAA Record ID: 1154459

  • Inmersiones gráficas y cromáticas
    Guevara Moreno, Luis, 1926-
    Luis Guevara Moreno describes drawing as “the quickest and most efficient way to capture form vividly.” He views drawing as the clearest way to convey a thought, calling it an especially pure form of expression in terms of both “the means and [...]
    ICAA Record ID: 1154427

  • Con Luis Guevara Moreno
    Delgado, Lenelina
    In this interview, Luis Guevara Moreno tells the journalist Lenelina Delgado that the best way to produce an ‘anthological’ exhibition is to do it when the artist in question is dead, and cannot intervene and pressure the organizers to make a [...]
    ICAA Record ID: 1154411

  • Guevara Moreno Balance
    Palenzuela, Juan Carlos, 1954-
    The historian Juan Carlos Palenzuela reviews the work of the Venezuelan visual artist Luis Guevara Moreno. In the author’s opinion, the works selected for the exhibition at the GAN (Galería de Arte Nacional) do not present a very clear or definite [...]
    ICAA Record ID: 1154364

  • Luis Guevara Moreno : mi obra presente se apoya en una saturación visual
    Alguíndigue, IIdemaro
    Journalist lldemaro Alguindigue interviews Luis Guevara Moreno after he had been awarded the prizes in drawing and printmaking at the XXX Salón Oficial Anual de Arte Venezolano. In the interview, the artist speaks of the recent abolishment of the [...]
    ICAA Record ID: 1143408

  • Los grabados de Guevara Moreno constituyeron la atracción artistica de ayer
    Mora, Nestor
    The journalist Néstor Mora reviews the exhibitions that opened on Sunday, November 3, 1968, in the Venezuelan capital. He highlights two events in particular: the exhibition of paintings and engravings by Luis Guevara Moreno at the Galería [...]
    ICAA Record ID: 1143392

  • [Un signo positivo de esta generación de pintores...]
    Chataing, Bernardo
    In Bernardo Chataing’s preface, he explains that the Taller Libre de Arte (TLA) invited young painters to participate in its exhibition, which would hold them responsible for creating new art forms. In turn, this would generate multiple trends. The [...]
    ICAA Record ID: 1101666

  • [Un día el poeta sentó la belleza en sus rodillas … ]
    Guevara, Roberto, 1932-1998
    This essay by the critic and curator Roberto Guevara appeared in the catalogue for the exhibition 10 pintores venezolanos de la nueva figuración. In his opinion, figuration has gone down the same cyclical and unstable path as all the other [...]
    ICAA Record ID: 1060477

  • VIII: Orientaciones de una nueva pintura: Conceptos concretos sobre la pintura abstracta
    Otero Silva, Miguel
    In the final article in his series “Conceptos concretos sobre la pintura abstracta,” the Venezuelan journalist and writer Miguel Otero Silva refers to a poll conducted by the French magazine Preuves [Proofs], in which the forty-eight young [...]
    ICAA Record ID: 856942