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[Un día el poeta sentó la belleza en sus rodillas … ]
1968This essay by the critic and curator Roberto Guevara appeared in the catalogue for the exhibition 10 pintores venezolanos de la nueva figuración. In his opinion, figuration has gone down the same cyclical and unstable path as all the other [...]ICAA Record ID: 1060477 -
Alianza y magia de grabado y pintura : Alirio Palacios bajo la luz de Reverón
1998In this essay, Eugenio Montejo writes about the Venezuelan painter Alirio Palacios, comparing his paintings to the work of Armando Reverón. He mentions their relentless experimenting, the fact that they were both landscape painters (of the coastal [...]ICAA Record ID: 1155235 -
Alirio Palacios : el arte de la violencia
1973This is the Venezuelan writer Igor Molina’s article about the work of the Venezuelan artist Alirio Palacios who, at the time this article was published, was thirty years old and had already had a considerable amount of experience. Molina, however, [...]ICAA Record ID: 1155701 -
Alirio Palacios : El estado tiene la responsabilidad del futuro del Centro de Diseño
1979The journalist Lenelina Delgado interviews the artist Alirio Palacios on the occasion of the crisis at the Centro INCE (Instituto Nacional de Cooperación Educativa) de Diseño (Caracas). As the instructor at the print shop at INCE, Palacios [...]ICAA Record ID: 1155596 -
Alirio Palacios : grabado más allá de la muerte
1999The journalist Pablo Villamizar interviews the painter Alirio Palacios on the occasion of the opening of the latter’s exhibition Xilografías y concretografías. Grabado 1994–1999 at the Museo de Bellas Artes de Caracas. The 1999 exhibition [...]ICAA Record ID: 1155754 -
Alirio Palacios : magia y maestría del grabado
1999Writer Eugenio Montejo introduces the graphic work of Alirio Palacios, a master whose work he deems on a level comparable to that of Armando Reverón. In Montejo’s opinion, Palacios was a major figure in Venezuelan art, especially in his treatment [...]ICAA Record ID: 1154602 -
Alirio Palacios se propone rescatar el grabado milenario de China
1993The journalist Edith Guzmán interviews Alirio Palacios about his printmaking and the exhibitions he was involved in at the time. Palacios explains that he has taken up woodcut printing again and has been experimenting with that technique, using what [...]ICAA Record ID: 1155809 -
Atelier huella
1995This essay by the historian Juan Carlos Palenzuela appeared in the catalogue for the Taller Huella exhibition held at the Venezuelan Embassy in Paris in 1995. Palenzuela briefly describes the pieces submitted by participating artists, whose work is [...]ICAA Record ID: 1101460 -
Creado el taller de artistas gráficos : en la dimensión de la venezuela verdadera
1976This newspaper article (signed with the initials L. B. S.) is a review of the founding of the TAGA (Taller de Artistas Gráficos Asociados), which is described as being an extension of the 1960s printmaking movement connected to the workshop of Luisa [...]ICAA Record ID: 1081157 -
Grabar siempre para pintar siempre
1999In this text, curator Josefina Núñez puts forth her vision of the evolution of artist Alirio Palacios’s work in wood engraving, establishing ties between his experiences in the East and in the West. Núñez describes in detail the process by [...]ICAA Record ID: 1154586 -
La fecundación de un aprendizaje : Alirio Palacios en Varsovia
1971While in Warsaw, Poland, the journalist Alberto Valero interviewed the Venezuelan artist Alirio Palacios as a student at the Polish Academy of Fine Arts. Palacios recounts his experiences and how his vision of poster design had been enriched, and [...]ICAA Record ID: 1155717 -
La mano, la seda, el color
1978Venezuelan artist, curator, and cultural manager Manuel Espinoza presents the exhibition La mano, la seda, el color [Hand, Silk and Color] (Museo de Arte Contemporáneo of Caracas, 1978), which featured prints on silk by nine Venezuelan artists: [...]ICAA Record ID: 1159106 -
La obra de Alirio Palacios Ilegó a Nuevo México : bajo el título de "Formas y espíritu" expone 30 xilografías
1983This text by an unidentified journalist is a review of an exhibition of wood engravings by Venezuelan artist Alirio Palacios held at the University of New Mexico Art Museum in Albuquerque. Palacios exhibited thirty large-format prints produced using [...]ICAA Record ID: 1155170 -
Los grabados chinos de Alirio Palacios
1967This is an unsigned article about an exhibition by the Venezuelan artist Alirio Palacios upon his return from China. The journalist provides general information about the printmaking art in China and informs us that Palacios absorbed and grew through [...]ICAA Record ID: 1155187 -
Mezzotintas de Alirio Palacios : El final del aprendizaje gráfico
1976Much of this interview by journalist Olga González with Venezuelan artist Alirio Palacios revolves around Palacios’s training as a graphic artist. He mentions his time at the Escuela Cristóbal Rojas and his trips to Rome, Geneva, Beijing, Warsaw [...]ICAA Record ID: 1156997 -
Regresa a sus país uno de los grabadores más importantes de América Latina
1975The journalist Olga González interviewed the printmaker Alirio Palacios upon his return to Venezuela after a stay in Geneva (Switzerland), during which time his focus had been on creating graphic art. González refers to the Swiss critic Arnold [...]ICAA Record ID: 1155203 -
Soy un gran aliado de mi país : Alirio Palacios expone xilografías en la Freites
1992The journalist Yasmín Monsalve interviewed Alirio Palacios in connection with his exhibition of woodcuts held at the Galería Freites (Caracas). The Venezuelan artist comments on how he rediscovered this technique, which he initially learned on a [...]ICAA Record ID: 1155733 -
There's another China
1967The United States journalist Julie Kruger interviewed the Venezuelan artist Alirio Palacios in connection with his exhibition of woodcuts at the Galería Polo & Bot (Caracas, 1967). The show presented prints made by the artist during his studies [...]ICAA Record ID: 1155219