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Apuntes para una Bienal
1994In this essay, Ruth Auerbach—the art critic and curator of the IV Bienal de Arte de Guayana (Ciudad Bolívar, 1994)—reflects on the challenge of positioning the biennial as a space devoted to the promotion of emerging Venezuelan art. Auerbach [...]ICAA Record ID: 1162199 -
La colección Clara Diament Sujo
1995Divided into eight chapters, this text by scholar Susana Benko is a study of contemporary Venezuelan art. The first part serves as an introduction, and consists of a brief overview of the Clara Diament Sujo collection. Afterward, she turns her focus [...]ICAA Record ID: 1156736 -
La obra Dorado de Pedro Terán, como activadora artística
1983Juan Acha presents his essay on the object and installation art Dorado [Golden] by Venezuelan conceptual artist Pedro Terán, which was exhibited in the Espacio Alterno at the Galeria de Arte Nacional in Caracas (1983). He highlights Terán’s [...]ICAA Record ID: 1097245 -
Accrochage y algo más
1991In this essay Eugenio Espinoza names nine artists (himself included) who, in his opinion, have distinguished themselves in the field of contemporary art as being creators of a body of work that “is neither art nor anti-art, but something in between [...]ICAA Record ID: 866188 -
Nubes para Colombia
1995In this text, Venezuelan artist Pedro Terán describes the action Nubes para Colombia as an attempt to create an artistic discourse on the basis of the audience-artist-work triangle. Terán explains that the performance employed the monotone sounds [...]ICAA Record ID: 865768 -
Presentación
1995Researcher María Elena Ramos includes two interviews in her “Presentación” of the book Acciones frente a la Plaza. Reseñas y documentos de siete eventos para una nueva lógica del arte venezolanos, the first with historian Bélgica Rodríguez [...]ICAA Record ID: 865751