Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=6144×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=6144×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=6144×
Name Descriptor: Iommi, Enio, 1926-×
  • ¿Fuera del centro?: arte argentino en las colecciones venezolanas
    Arestizábal, Irma
    1995
    The researcher Irma Arestizábal comments on the placement of Argentinean avant-garde art, (always at the margin) in relationship to the hegemonic art centers. She writes based on a selection of works of Argentinean artists that appear in Venezuelan [...]
    ICAA Record ID: 1162631

  • [Afirmada su vocacion influida por las enseñanzas teóricas y prácticas...]
    Pirovano, Ignacio
    1969
    Ignacio Pirovano presents Enio Iommi’s exhibition (Galería Bonino, September-October, 1969) with a thorough analysis of the different periods involved: his background, the Concrete Art period, the phase begun in 1950 since the dissolution of the [...]
    ICAA Record ID: 764773

  • [El arte concreto constituye la culminación de un proceso estético]
    Bayley, Edgar
    1946
    The list of artists whose work was shown at the Arte Concreto-Invención Exhibition, held at the Sociedad Argentina de Artistas Plásticos [Argentine Society of Visual Artists], is as follows: Antonio Caraduje, Manuel Espinosa, Alfredo Hlito, Enio [...]
    ICAA Record ID: 731701

  • [El Grupo de artistas modernos de la Argentina, recientemente constituído...]
    1953
    This article reviews the first exhibition of the Grupo de Artistas Modernos [Modern Artists Group] of Argentina, presented at Galería Viau and featuring works by independent artists Sarah Grilo, Hans Aebi, Miguel Ocampo, and Fernández Muro, as well [...]
    ICAA Record ID: 742369

  • [Enio Iommi]
    Pellegrini, Aldo
    1972
    In this introductory text for works by Enio Iommi, Pellegrini highlights how the artist’s sculpture broke with the traditional criteria of volume, weight and quiescence by juxtaposing spatial structure against volume. His analysis dates three [...]
    ICAA Record ID: 744611

  • [Iommi es el tipo de escultor preocupado en los problemas que la época moderna somete]
    Pellegrini, Aldo
    1966
    In his introduction to Enio Iommi’s exhibition (at the Galería Bonino, Buenos Aires, 1966), Aldo Pellegrini notes the artist’s awareness of space; that is, his approach to the object created in terms of its relationship to the surrounding void. [...]
    ICAA Record ID: 764507

  • [Letter] 1962 Abril 12, Buenos Aires [to] Enio Iommi
    Romero Brest, Jorge
    1962
    Jorge Romero Brest writes to Enio Iommi inviting him to participate in the Torcuato Di Tella Institute Prize (1962 edition), enclosing the rules. In addition, he informs him that he will be able to apply for the National Prize (and eventually for the [...]
    ICAA Record ID: 755780

  • [Letter] 1974 Octubre 24, [Minturno] [to] Libero Badii
    Paparella, Aldo
    1974
    Aldo Paparella writes to Libero Badii saying that one can communicate deeply from absolute silence. Paparella questions himself about the artist’s role, concluding that he should not only make artwork, but also provide answers about what he is [...]
    ICAA Record ID: 754729

  • [Um grupo de jovens pintores e escultores argentinos]
    Romero Brest, Jorge
    1953
    This document is the forewod to the Grupo de Artistas Modernos Argentinos [Modern Artists Group of Argentina] exhibition that presented works by the concrete artists Tomás Maldonado, Alfredo Hlito, Enio Iommi, Claudio Girola, Lidy Prati, as well as [...]
    ICAA Record ID: 743236

  • Argentina
    1954
    The document is in reference to the presentation of the Argentinean delegation organized by the Subsecretaría de Difusión del Ministerio de Relaciones Exteriores de la República Argentina [Undersecretary for Dissemination of the Ministry of [...]
    ICAA Record ID: 743249

  • Arte abstracto, concreto, no figurativo
    Bayón, Damián
    1948
    This is a critical essay that discusses Nuevas Realidades. Arte Abstracto, concreto, no figurativo [New Realities. Abstract, Concrete, Non-Figurative Art], the exhibition that was presented at the Galería Van Riel September 12-25, 1948. The [...]
    ICAA Record ID: 742367

  • Arte concreto Argentino
    Stábile, Blanca
    1951
    This is a critical text on the works exhibited by Tomás Maldonado, Alfredo Hlito, and Enio Iommi at the Instituto de Arte Moderno in October 1950. In this analysis of some of the works in the exhibition, Blanca Stábile highlights the work of these [...]
    ICAA Record ID: 742283

  • Artistas no figurativos
    Stábile, Blanca
    1949
    In this article, Blanca Stábile reviews the exhibitions of nonfigurative art at the Galería Van Riel. She reports that, other than the works produced by artists of the Madí or Vainstein trends, the bulk of the exhibitions are inspired by [...]
    ICAA Record ID: 742309

  • Diálogo con nuestros lectores
    1955
    The article includes two letters from Romualdo Brughetti and another from Enio Iommi, addressed to Blanca Stábile for its publication in the section “Dialogue with Our Readers.” In addition, a letter from Stábile addressed to Aldo Pellegrini, [...]
    ICAA Record ID: 742824

  • El artista y el mundo del consumo
    Pellegrini, Aldo
    1971
    This essay examines the relationship between artists and the consumer society, and claims that the latter seeks to create destructible goods and false needs. Aldo Pellegrini claims that the goal of the consumer world is to annihilate the artist by [...]
    ICAA Record ID: 744444

  • La nueva escultura
    Pellegrini, Aldo
    1953
    This article analyzes the sculpture exhibition held at Galería Krayd, emphasizing the modern concept that understands the sculptural object as a unity of volume and space. In this way, Pellegrini observes that while some artists discard volume and [...]
    ICAA Record ID: 745500

  • Punto de vista crítico
    Romero Brest, Jorge
    1953
    Using the Grupo de Artistas Modernos de la Argentina exhibition held at Galería Krayd in 1953 as a starting point, Jorge Romero Brest writes a critical text explaining his motives for supporting Concrete art. He proposes—in a prophetic tone—that [...]
    ICAA Record ID: 742528