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A fin de cuentas, todo eso de la pintura racista y socialista de Méjico y Perú no es sino folclore
1944The anonymous author of this article contrasts the favorable response on the part of Peruvian intellectuals and artists to the work of Spanish artist Victorio Macho and their response to María Izquierdo, considered “ambassador of a hypothetical [...]ICAA Record ID: 1146700 -
París es un peligro para el estudiante : una hora con Luis Alberto Acuña
1929Upon his return from Europe, Colombian artist Luis Alberto Acuña Tapia was interviewed for the magazine El Gráfico. In the conversation, Acuña describes his journey through Germany, France, Italy, and Spain. He criticizes the first for its “cold [...]ICAA Record ID: 1079187