Documents of Latin American and Latino Art

In this essay, filmmaker Arthur Omar makes the argument that documentaries, although dependent on fictional cinematography, are commercially produced and are generally geared toward the masses. Between the experimental avant-garde and the progressive [...]

This is the script that was used to introduce the films shown at the Cinema de Artista during the sixteenth Bienal de São Paulo in 1981. The critic Ligia Canongia and the visual artist Iole de Freitas wrote what is essentially a synopsis of [...]