Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=4160×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=4160×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=4160×
Name Descriptor: Carvão, Aluísio×
  • Cor e estrutura-cor
    Gullar, Ferreira, 1930-
    1960
    The critic Ferreira Gullar discusses the result of the I Exposição Neoconcreta as he reviews the works shown by Aluísio Carvão and Hélio Oiticica. He mentions the novel approach taken by both artists in their use of the exhibition space, and [...]
    ICAA Record ID: 1091219

  • Da arte concreta à arte neoconcreta
    Gullar, Ferreira, 1930-
    In this essay, Ferreira Gullar articulates the position of the so-called Neoconcrete artists of Rio de Janeiro by tracing a shared history and points of divergence with the Concrete art movement. For Gullar, Concrete art begins in Brazil with the [...]
    ICAA Record ID: 1315036

  • Depoimentos : Aluisio Carvão
    Ferreira, Glória, 1947-
    In this text, Aluísio Carvão recalls taking part in the third Salão Nacional de Arte Moderna, which was also known as the Salón Blanco y Negro (Black-and-White Salon) “mainly because of the political statement it [...]
    ICAA Record ID: 1307694

  • I Exposição Nacional de Arte Concreta: 2 - O grupo do Rio
    Gullar, Ferreira, 1930-
    1957
    This article reviews the works exhibited by carioca artists (from Rio de Janeiro) at the I Exposição Nacional de Arte Concreta. The poet and critic Ferreira Gullar, who lives in Rio and is the leader of the local concrete art group, discusses the [...]
    ICAA Record ID: 1090217

  • IV Bienal do Museu de Arte Moderna
    Museu de Arte Moderna de São Paulo
    1957
    The first Bienal Internacional de São Paulo at the Museu de Arte Moderna en São Paulo (MAM-SP) was presented in 1951; it was a groundbreaking event outside of Europe, attracting the sort of attention usually reserved for the Venice [...]
    ICAA Record ID: 1232311

  • Resposta a Cordeiro
    Gullar, Ferreira, 1930-
    1977
    Ferreira Gullar uses his newspaper column to reply to an article that appeared in the Correio da Manhã in which Waldemar Cordeiro challenged his review of an exhibition of works by Concrete artists from São Paulo at the MAM-RJ (Museu de [...]
    ICAA Record ID: 1315118

  • Rio : vertente construtiva
    Morais, Frederico, 1936-
    1984
    In his introductory essay, Frederico Morais identifies the basic criteria underpinning the three retrospective exhibitions that were presented as part of the Ciclo de exposições sobre arte no Rio de Janeiro (1984). He briefly discusses [...]
    ICAA Record ID: 1317025