Documents of Latin American and Latino Art

Dora de la Torre wrote about the exhibition Las Monjas [The Nuns] by Alberto Greco at the Galería Pizarro, pointing to the artist’s success; moreover, signaling him as head of Informalism, someone whose jeers were taken seriously by the critics. [...]

Hugo Parpagnoli wrote about the exhibitions of Informalist painting in Buenos Aires, defining Informalism as an irrational attitude. On the other hand, the author explained how the viewer must behave while facing this new approach to painting [...]

Kenneth Kemble reviews the exhibition by sculptor Carlos de la Motta at Galería Pizarro. It involves his metal sculptures, whose inventiveness and quality surprised the critic. The same gallery exhibits the Uruguayan painter Jorge Páez with [...]

Kenneth Kemble writes that the Palanza Award was a disappointment because those who were invited to participate, the great majority of them, showed works of a lesser quality; also, he believes that a shift in the public’s aesthetic taste has taken [...]

Favorable critique of the works of ModestCuixart Tàpies, an artist from Barcelona who according to Kenneth Kemble required careful observation for their understanding, due to a certain intensity, refinement, and ambiguity. On the other hand, he [...]

Luis Felipe Noé  analyzes the formal characteristics of the work of three Brazilian artists exhibited at Galería Pizarro in Buenos Aires.  He comments on the latest exhibitions, from which the northern landscapes of Horacio March and the work of [...]

Luis Felipe Noé reviews several exhibitions in which precise and formal analyses of diverse languages (from painting, to drawing to sculpture and engraving) are carried out. Highlighted here is the one written on the Spanish painter Joan Navarro-Ram [...]