Documents of Latin American and Latino Art

The critic wrote on the recovery of different figurative approaches, with a predominance of Expressionist tendencies; operating in dialectical synthesis was a combination of realistic and abstract elements. González Tuñón associated the pintores [...]

In this document, signed in 1968, the Grupo Espartaco [Spartacus Group] announces the end of the joint activities they had begun in 1959. The group’s original goal was to create an art of forms and content that was truly Argentine and that was also [...]

Operating from Argentina, the Movimiento Espartaco [Spartacus Movement] argued that there was a need for national and revolutionary Latin American art. According to this argument, it would be necessary to eliminate from the social order the economic [...]