Documents of Latin American and Latino Art

The director of the Museo de Arte Moderno de Buenos Aires [Buenos Aires Museum of Modern Art], Hugo Parpagnoli writes about the selection criteria and the organization of the Argentinean painting exhibition in Caracas (1963), a proposal in eight [...]

Manuel Mujica-Láinez presents Nicolás García-Uriburu’s exhibition (Galería Rubbers, Buenos Aires, August–September, 1964), highlighting themes and climates associated with what does  “Argentinean-ness” involves. The critic also points [...]

This is a brief biography of the artist Nicolás García-Uriburu, which includes a list of his prizes, exhibitions, and personal information. The document analyzes the nature and evolution of his work—his style, the various influences that had an [...]

Kenneth Kemble writes that the Palanza Award was a disappointment because those who were invited to participate, the great majority of them, showed works of a lesser quality; also, he believes that a shift in the public’s aesthetic taste has taken [...]