Documents of Latin American and Latino Art

In this article, Diego Rivera affirms that he does not know Alvarado Rubio, an employee of the Embassy of Guatemala during the regime of dictator Carlos Castillo Armas, and that it is from there that the lies published in Impacto begin. Rivera also [...]

Diego Rivera insists that what he painted on his transportable mural—titled Gloriosa Victoria [Glorious Victory] and inspired by recent events in Guatemala—was an accurate representation, based on facts provided by reliable sources. Rivera [...]