Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=234×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=234×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=234×
Name Descriptor: Picabia, Francis×
  • [Cuando Picabia escibía sobre un cuadro...]
    Rodríguez Saavedra, Carlos
    1969
    This brief introductory text by Carlos Rodríguez Saavedra was written for the official catalogue of the painting competition organized by the Festivales de Ancón, then an elegant resort on the outskirts of Lima. In a lyrical tone, the author [...]
    ICAA Record ID: 1142381

  • [El siglo XIX estalla en una granada fantástica...]
    Moro, César, d. 1956
    1939
    In the introduction to this catalog, César Moro (a celebrated Peruvian poet and artist) alludes to the antecedents of Surrealism within the avant-garde movements of the beginning of the twentieth century. He also identifies the contact points that [...]
    ICAA Record ID: 752617

  • A Francis Picabia
    Pellegrini, Aldo
    1953
    On the occasion of a homage to Francis Picabia and Dylan Thomas, Aldo Pellegrini publishes his poem "To Francis Picabia." Beginning with the passing of Picabia in Paris, this poem is part of the tribute that the members of the collective editorship [...]
    ICAA Record ID: 745532

  • Desde París : Autopsia del suprerrealismo
    Vallejo, César, 1892-1938
    1930
    In this text, eminent Latin American avant-garde poet César Vallejo asserts that “among the symptoms of the final decline of the capitalist intelligentsia is the vice of coterie.” He argues that the crises of economic imperialism are reflected [...]
    ICAA Record ID: 1293573

  • El endemoniado Dadá se adueña de París
    Lozano, Rafael
    1921
    In his article the poet from Monterrey, Rafael Lozano, refers to the leaders of Dadaism: Tristan Tzara in Zurich, Switzerland and Francis Picabia in New York. He hopes sarcastically that the tenets of Dadaism will be sung just like the French [...]
    ICAA Record ID: 737416

  • En blanca y negra...
    Miró Quesada Garland, Luis
    1955
    In this text, Luis Miró Quesada Garland enumerates the main formal virtues of the works in the exhibition of Surrealism held at the Galería de Lima in July 1954. In his view, the show reflects none of the movement’s initial aggressiveness in [...]
    ICAA Record ID: 1138599

  • Exposición en el Instituto de Arte Moderno
    Payró, Julio E., 1899-1971
    1949
    This is a critical review of the Arte abstracto, del arte figurativo al arte abstracto [Abstract Art, from Figurative Art to Abstract Art] exhibition, which was organized by Léon Degand, the Belgian critic, and presented at the Instituto de Arte [...]
    ICAA Record ID: 743623

  • Figuras y aspectos de la vida mundial : El balance del suprarrealismo. A propósito del último manifiesto de André Breton
    Mariátegui, José Carlos, 1894-1930
    1930
    In this text, José Carlos Mariátegui argues that no avant-garde artistic or literary movement has been “as significant historically or important as content as Surrealism.” He asserts that, while Futurism attempted to go beyond formal [...]
    ICAA Record ID: 1293479

  • La exposición de arte francés y las modernas escuelas de pintura
    Arango Jaramillo, Adelfa
    1922
    This article?written by the Colombian educator Adelfa Arango Jaramillo on the occasion of an exhibition of French art in Medellín?champions new concepts that she believes are key aspects of modern art: the absence of an attempt to please, and an [...]
    ICAA Record ID: 1094012