Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=1837×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=1837×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=1837×
Name Descriptor: Palacios, Luisa×
  • ¿Qué es un libro de edición especial?
    Meneses Imber, Adriana, 1959-
    1983
    In this article the journalist A. M. I. researches the field of special edition books. She interviews Luisa Palacios, the printmaker and director of TAGA (Taller de Artistas Gráficos Asociados) in Caracas, tracing the origins of this kind of [...]
    ICAA Record ID: 1101428

  • Cinco creadores dejan "Huella" en las artes gráficas venezolanas
    Monsalve, Yasmin
    1992
    The journalist Yasmín Monsalve interviews members of the Taller Huella at the exhibition they organized in November 1992 at the Sala CANTV (Compañía Anónima Nacional de Teléfonos de Venezuela). She also reports on the group’s origins and [...]
    ICAA Record ID: 1101492

  • Creado el taller de artistas gráficos : en la dimensión de la venezuela verdadera
    1976
    This newspaper article (signed with the initials L. B. S.) is a review of the founding of the TAGA (Taller de Artistas Gráficos Asociados), which is described as being an extension of the 1960s printmaking movement connected to the workshop of Luisa [...]
    ICAA Record ID: 1081157

  • El informalismo es el primer gesto que antepone la expresión al esteticismo
    Santana, Emilio
    1962
    The journalist Emilio Santana interviews Ángel Luque (1927?2014). The latter, a Spanish artist who lives in Venezuela, describes Informalism as an avant-garde form of expression, stressing its relationship to the concept of “chaos.” He discusses [...]
    ICAA Record ID: 1172020

  • Estampa
    Michelena, Corina, 1957-
    1994
    In this essay about the selection of illustrations to accompany text, the Venezuelan curator Corina Michelena reflects on the blankness of the sheet of paper. In the case of an illustration, she suggests, that blankness actually represents the [...]
    ICAA Record ID: 1156672

  • Gego : tejiendo poemas de alambre
    Lozada Soucre, Luis
    1977
    In this review of the opening of Gego’s exhibition at the Museo de Arte Contemporáneo [Contemporary Art Museum] in Caracas in 1977, Luis Lozada Soucre reports on the great, well-attended event. He quotes Marta Traba, and interviews people in [...]
    ICAA Record ID: 1159498

  • Gladys Meneses, Iván Torres
    Valladares, F.
    1962
    F. Valladares reviews the III Exposición Nacional de Dibujo y Grabado held at the Facultad de Arquitectura y Urbanismo de la Universidad Central de Venezuela, Caracas. While the author remarks on the work of young Venezuelan printmakers like Luisa [...]
    ICAA Record ID: 1155685

  • La mano, la seda, el color
    Espinoza, Manuel
    1978
    Venezuelan artist, curator, and cultural manager Manuel Espinoza presents the exhibition La mano, la seda, el color [Hand, Silk and Color] (Museo de Arte Contemporáneo of Caracas, 1978), which featured prints on silk by nine Venezuelan artists: [...]
    ICAA Record ID: 1159106

  • Luisa Palacios : la pasión del grabado
    Palacios, María Fernanda, 1945-
    1990
    This text by Venezuelan writer María Fernanda Palacios offers perspective on the development of engraving in Venezuela in the 1960s in light of the activity of El Taller de Luisa Palacios, who was her mother. She relates the beginnings of the [...]
    ICAA Record ID: 1068952