Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=13380×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=13380×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=13380×
Name Descriptor: Gómez, Dulce, 1967-×
  • Espacios para tres
    Benko, Susana
    1995
    Plica was a group exhibition organized by the Galería Ars Forum (Caracas, 1997). The three participants were Venezuelan artists: Pablo Ballini, Dulce Gómez, and Luis Romero. The catalogue for the exhibition was created in the form of a poster that [...]
    ICAA Record ID: 1164406

  • IX Premio Eugenio Mendoza
    Fajardo-Hill, Cecilia
    1998
    Curator Cecilia Fajardo-Hill addresses the work of the artists featured in the ninth Premio Eugenio Mendoza in terms of a number of visual and conceptual issues. In her view, the event attempted to expand and question any possible definition of [...]
    ICAA Record ID: 1163982

  • Landescape
    Auerbach, Ruth
    1994
    Ruth Auerbach introduces Landescape, the exhibition of works by Dulce Gómez at her first solo show, at the Galería Alternativa in Caracas in 1994. In her poetic essay, Auerbach describes the salient features of this Venezuelan artist’s paintings [...]
    ICAA Record ID: 1163966

  • Apuntes para una Bienal
    Auerbach, Ruth
    1994
    In this essay, Ruth Auerbach—the art critic and curator of the IV Bienal de Arte de Guayana (Ciudad Bolívar, 1994)—reflects on the challenge of positioning the biennial as a space devoted to the promotion of emerging Venezuelan art. Auerbach [...]
    ICAA Record ID: 1162199

  • La Quinta Bienal de Artes Visuales Christian Dior : La Pintura como Palimpsesto.
    Wilson, Adolfo
    1997
    In this text, curator Adolfo Wilson explains why the fifth edition of the Bienal de Artes Visuales Christian Dior featured solely painting and not other artistic media. He describes the obstacles he had to overcome to hold a painting salon in 1997, [...]
    ICAA Record ID: 1161313