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Cruz Diez es un intérprete de su tiempo
1976This newspaper article is about an interview with the director of the Museo de Arte Moderno de México, Fernando Gamboa, on the subject of the exhibition that Carlos Cruz-Diez opened in Mexico City as part of a cultural exchange between Mexico [...]ICAA Record ID: 1472351 -
La piel visual
1978This article presents the retrospective on Mercedes Pardo’s art production at Museo de Arte Moderno de México (1978) by witnessing her international reach. Jose Balza focuses on the links that Pardo has with both Caracas and its [...]ICAA Record ID: 1331740 -
Mercedes Pardo : es poco cuanto se diga de su obra
1978This 1978 article was published in El Nacional to inform the Venezuelan public about Mercedes Pardo’s exhibition at Museo de Arte Moderno de México (MAM). The subheading introduces the text by the director of the MAM, Fernando Gamboa, [...]ICAA Record ID: 1331475 -
Mercedes Pardo en México
1978Art critic Juan Acha writes about the retrospective of the Venezuelan abstract artist Mercedes Pardo, held at Museo de Arte Moderno de México. He argues that the exhibition of over twenty years of artistic production (1952–78) shows us [...]ICAA Record ID: 1331459 -
Mercedes Pardo : abstracción, espacio y tiempo
1978This article was written on the occasion of the exhibition of Venezuelan abstract modernist Mercedes Pardo at Museo de Arte Moderno de México that featured works from the early 1950s to her most recent production: all abstract works, since she [...]ICAA Record ID: 1331443 -
El espejo indiscreto : Palabras de Alfred Barrh jr.
1942Referring to the recent visit to Mexico in the early 1940s of Alfred Barr, director and founding father of New York’s Museum of Modern Art, the writer notes Barr’s surprise when he found out that Mexico did not yet have a similar institution. [...]ICAA Record ID: 798420 -
El Museo de Arte Moderno ¿tiene algo que ver con la pintura mexicana?
1958Given the recent re-opening of the Museo Nacional de Arte Moderno at the Palacio de Bellas Artes, the writer Francisca Olivos asks and, at the same time, answers: “Does it respond to Mexican painting as we know it and as it has been until now? [...]ICAA Record ID: 798302