Documents of Latin American and Latino Art

This brief but thorough review by the Argentine critic Damián Bayón explores the development of Argentine art from the eighteenth century to the present day. He mentions artists, architects, and sculptors who have helped to define the concept of [...]

Under the title “Basta de mistificaciones” [Enough with the mystifications] the Groupe de Recherche d’Art Visuel (GRAV) [Visual Arts Research Group] signed a manifesto that would become the basis of the present-day relationship between [...]

This document is the Foundation Act for the Centro de Recherche d’Art Visuel [Visual Arts Research Center] (1960). It establishes the group’s intention of deepening personal investigations within the group work, directing the members’ personal [...]

Damián Bayón presented the La Inestabilidad [Instability] exhibition at the Museo Nacional de Bellas Artes in Buenos Aires in1964, basing his premise on the static nature of the Renaissance space that evolved from the proscenium of “Italian style [...]

Samuel Oliver presented the La Inestabilidad [Instability] exhibition at the Museo Nacional de Bellas Artes in Buenos Aires, in 1964. He indicated that the Paris-based Groupe de Recherche d’Art Visuel [Experimental Visual Arts Research Group] (GRAV [...]

Jorge Romero-Brest presents Horacio García-Rossi’s exhibition (Galería Rubbers, Buenos Aires, May, 1967), highlighting the fact that he belongs to GRAV (the Paris-based Group of Research on Experimental Visual Arts), though emphasizing the fact [...]