Documents of Latin American and Latino Art

Hugo Parpagnoli declares that he does not have much to explain about Barbazul [Bluebeard]. Because it is only a story; the public should just go in and have fun. The exhibition evolves over time, like a theatrical play in which the spectator walks [...]

The text contains records of the artists connected to the Centro de Arte y Comunicación (CAyC) [Center of Art and Communication] who participated in the exhibition, Arte de Sistemas II [Systems Art] (Buenos Aires, September 1972). Each record [...]

This document is a catalog of the exhibition El Grupo de los Trece en Arte de Sistemas [The Group of Thirteen in Systems Art] (Buenos Aires: Centro de Arte y Comunicación, December 1972 – March 1973 [...]

[This document is a record] of the works by the artists linked to the Centro de Arte y Comunicación [Center for Art and Communication] (CAyC) who participated in the exhibition Arte de Sistemas [Systems Art] (Buenos Aires: Museo de Arte Moderno, [...]

This document announces both the opening of the Escultura, follaje y ruidos [Sculpture, foliage, and noise] exhibition in Buenos Aires (Plaza Rubén Darío, November 7–30, 1970), but also its key proposal: to generate urgency for [...]

The text finds the problem of the lack of connection between the “men of reflection (scientists, philosophers, theorists) and “men of action (artists, technicians, planners, operators)” producing, as a result, “thinkers removed from reality [...]

This text states that the exhibition, Arte de Sistemas [Systems Art] (Buenos Aires, Museo de Arte Moderno, July 1971), contains elements that would “para entretener —o escandalizar— al público […] sirve para medir […] no solo una posición [...]