Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=11745×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=11745×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=11745×
Name Descriptor: Amaral, Aracy A., 1930-×
  • Brasil 74 en el CAYC
    1974
    This newsletter announces an exhibition of works by Brazilian artists at the CAYC. The opening of this exhibition emphasizes the bond that exists between the two neighboring countries, despite the complications created by their respective dictatorial [...]
    ICAA Record ID: 1476541

  • Exprojeção 73 ' proyección de films y audiovisuales brasileños
    1973
    This newsletter announces the presentation of Expoprojeção 73, an event that consisted of a series of experimental films and audiovisuals created by Brazilian artists and selected by the noted Brazilian critic and curator Aracy Amaral [...]
    ICAA Record ID: 1476490

  • Expoprojecao 73
    1973
    This newsletter announces the presentation of Expoprojeção 73, an event that consisted of a series of experimental films and audiovisuals created by Brazilian artists and selected by the noted Brazilian critic and curator Aracy Amaral [...]
    ICAA Record ID: 1476489

  • [Letter] 1998 September 15, São Paulo [to] Aracy Amaral
    Maluf, Antônio, 1926-2005
    1998
    In September 15, 1998, graphic artist Antônio Maluf writes to art historian Aracy Amaral regarding her book Arte Construtiva no Brasil Coleção Adolpho Leirner. Even before its release, in his view, the book was considered an [...]
    ICAA Record ID: 1317439

  • Neoconcretismo e Merleau-Ponty : através
    Coutinho, Wilson, 1947-2003
    This essay by the Brazilian art critic Wilson Coutinho appeared in the catalogue for the exhibition Ciclo de exposições sobre arte no Rio de Janeiro: 1. Neoconcretismo (Rio de Janeiro: Galeria de Arte BANERJ, 1984). The essay outlines [...]
    ICAA Record ID: 1315430

  • La performance desde la perspectiva Latinoamericana
    Padín, Clemente, 1939-
    2005
    In this article Clemente Padín discusses the historical development of performance art in Europe and in North America. He also refers to specific examples to describe the nature of this action art as practiced in Latin America. He believes [...]
    ICAA Record ID: 1240733

  • Arte de Acción en Latinoamérica : cuerpo político y estrategias de resistencia
    De Gracia, Silvio, 1973-
    2010
    In this essay, critic and performer Silvio de Gracia explains the importance of and provides context for “action art” in Latin America. He demonstrates its specificity in the region, showing how it differs from similar tendencies in Europe and [...]
    ICAA Record ID: 1240673

  • A arte abrange tudo. É uma experiência vital
    Bittencourt, Francisco; Manuel, Antonio
    1975
    In this interview with artist Antonio Manuel by critic Francisco Bittencourt, Manuel speaks of his early career, mentioning specifically the Salão da Bússola [Compass Salon]; the Corpobra [Body-Work] action in which he appeared naked at the Salão [...]
    ICAA Record ID: 1111094

  • Etsedrón o la carencia de interés libidinoso por la realidad
    Torrens, María Luisa
    1975
    In this text, María Luisa Torrens responds to Aracy Amaral’s article arguing that the installation entitled Etsedrón, which appeared at the 1975 (XIII) São Paulo Biennial, constituted a promising new direction for Latin American art. Torrens [...]
    ICAA Record ID: 1065137

  • Etsedrón : Respuesta a Aracy A. Amaral = Comments on the article by Aracy A. Amaral
    Acha, Juan, 1916-1995
    1976
    In this text, Juan Acha responds to Aracy A. Amaral’s article arguing that the installation entitled Etsedrón, which appeared at the 1975 (XIII) São Paulo Biennial (October 17-December 14), constituted a promising new direction for Latin [...]
    ICAA Record ID: 1065118

  • Latin American visions and revisions
    Goldman, Shifra M., 1926-
    1994
    Art historian Shifra M. Goldman writes with great acuity and depth about the traveling exhibition, Art of the Fantastic: Latin America, 1920–1987, which opened at the Indianapolis Museum of Art in 1987, and subsequently went to the Queens [...]
    ICAA Record ID: 1063953

  • Brasil: integrante da America Latina = Brasil, país integrante de la América Latina
    Barata, Mário
    1984
    According to the Brazilian critic Mario Barata, cultural identity derives from qualities that go beyond natural phenomena; it is also the result of planning and the promotion of works of art produced by a particular country. Permanent status is thus [...]
    ICAA Record ID: 805751