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La Quinta Bienal de Artes Visuales Christian Dior : La Pintura como Palimpsesto.
1997In this text, curator Adolfo Wilson explains why the fifth edition of the Bienal de Artes Visuales Christian Dior featured solely painting and not other artistic media. He describes the obstacles he had to overcome to hold a painting salon in 1997, [...]ICAA Record ID: 1161313 -
De lo efímero a lo eterno : Teresa Gabaldón expresa su fuerza interior
1995The journalist Yasmín Monsalve interviews the Venezuelan artist Teresa Gabaldón at the latter’s solo exhibition Efímeras (Caracas, 1995). They discuss Gabaldón’s reasons for her conceptual focus on flowers. The artist explains that her [...]ICAA Record ID: 1160423 -
Recuperar la pintura en flores
1968Providing a study of the work and career of Venezuelan artist Teresa Gabaldón, art critic Roberto Guevara highlights her strong academic education and her knowledge of painting and drawing techniques. He emphasizes two great periods in her work; the [...]ICAA Record ID: 1157872 -
La piel del lecho
1985In his essay in the catalogue for the exhibition Teresa Gabaldón. Dibujos at the Galería Minotauro in Caracas (November, 1985), the curator William Niño Araque reviews the Venezuelan artist and teacher’s work. He introduces the reader to the [...]ICAA Record ID: 1157856 -
Las flores de Teresa Gabaldón
1991In this text, critic Víctor Guédez reflects on the visual, psychological, and symbolic components of Teresa Gabaldón’s painting from the nineties. The artist employs the flower theme as a means of addressing concerns, feelings, and symbols— [...]ICAA Record ID: 1157840