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La Escuela de Bellas Artes
1933The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]ICAA Record ID: 1100996 -
Desde España
1922In the opinion of the artist and art critic, Roberto Pizano, the trip undertaken by the artists, Ricardo Gómez Campuzano and Domingo Moreno Otero, to Spain was an opportunity to take advantage of the Spanish art culture. However, Pizano thinks they [...]ICAA Record ID: 1099006 -
Al margen de una exposición de pintura
1929On the premise that “national art has yet to come into being,” Germán Arciniegas levels harsh criticism at the works by Colombian artists Francisco Antonio Cano, Ricardo Gómez Campuzano, and Domingo Moreno Otero included in an exhibition held [...]ICAA Record ID: 1079409 -
Una hora con Domingo Moreno Otero
1927Back in his native country after more than five years in Madrid, Colombian painter Domingo Moreno Otero speaks of his educational experiences at the Academia de San Fernando and at the Museo del Prado. In this interview, Moreno Otero praises Diego [...]ICAA Record ID: 1079359 -
La exposición de pinturas : los que están y los que faltaban
1928In this text, Colombian intellectual Baldomero Sanín Cano offers a number of observations about art and the artist, asserting that the time has come for both to move closer to the masses. Sanín argues that the belief that art is only for a segment [...]ICAA Record ID: 1079099