Year (normalized) from 1960×
  • "En síntesis", los artistas del cuarto y quinto piso
    Jiménez, Félix
    1986
    Puerto Rican journalist and professor Félix Jiménez comments on the “spatial” concept of the MSA (Manifestación Sintetista Actualizada) group and the freedom that it provides artists who participate in exhibitions that are not inhibited by any [...]
    ICAA Record ID: 1062244

  • "Es dificil negar que Gego nació en Venezuela..." = "É difícil negar que Gego nasceu na Venezuela..."
    Guevara, Roberto, 1932-1998
    1996
    In this essay, Roberto Guevara gives an overview of Gego’s career, [based on a selection of works that are] on display at the São Paulo Biennial. Guevara describes how Gego’s work has evolved from her early sculptures in the 1950s to her latest [...]
    ICAA Record ID: 1149603

  • "Evaluar" o "calificar" en el contexto actual de la cultura venezolana
    Hernández, Abdel
    1994
    Abdel Hernández, the Cuban critic and writer, discusses the VII Bienal Nacional de Dibujo de Caracas (Museo de Artes Visuales Alejandro Otero, 1994) which, in his opinion, was an event that promoted “fragmentation and disciplinarity” in art, and [...]
    ICAA Record ID: 1167669

  • "Exposición de arte destructivo” o una copa de oxígeno
    Molina, Enrique
    1961
    The poet, Enrique Molina wrote a literary essay on the exhibition on Arte Destructivo [Destructive Art] in which he states that its power is in the unveiling of what is hidden and prohibited. Observed with Surrealism in mind and the imprint of [...]
    ICAA Record ID: 741894

  • "Folha" inaugura mostra de artistas pelas diretas
    1984
    This is a report on the opening of the exhibition Os artistas pelas Diretas at the entranceway of the Folha de S. Paulo newspaper facilities in February 1984. The management of the newspaper, in conjunction with various artists, conceived the [...]
    ICAA Record ID: 1110668

  • "Introducción", Salón de Artistas Jóvenes : Patrocinado por la Unión Panamericana y Esso = "Introduction" Salon of Young Artists: Sponsored by Pan American Union and Esso.
    Gómez Sicre, José
    1965
    This is the introduction to the catalogue for the Salón de Artistas Jóvenes Latinoamericanos [Young Latin American Artists Salon]—held at the Pan-American Union in Washington, DC in 1965. It was written by José Gómez Sicre, director of the [...]
    ICAA Record ID: 1091951

  • "J. López Antay es más auténtico que muchos artistas cultos"
    Castrillón, Alfonso, 1935-
    1976
    Alfonso Castrillón defends the decision to recognize López Antay by granting him the Premio Nacional de Cultura [award], asserting that his work “is more authentic than the work of many so-called high artists, who have spent their whole lives [...]
    ICAA Record ID: 1136092

  • "La esperanza del loro verde" en el trópico tabasqueño
    Soto, Leandro, 1956-
    1992
    Leandro Soto Ortiz interprets the sculptural works of fellow artist Raoul Deal that were featured in the exhibition La Esperanza del Loro Verde. Soto Ortiz positions Deal’s work within a Postmodernist current, contextualizing it at the core of [...]
    ICAA Record ID: 840722

  • "La pintura en Chile" de Galaz e Ivelic : una instancia redefinitoria para el arte chileno
    Richard, Nelly, 1948-
    1981
    This is Nelly Richard’s critical review of La pintura en Chile: desde la Colonia hasta 1981 (Painting in Chile: From the Colonial Period to 1981), the book cowritten by Milán Ivelic and Gaspar Galaz. Richard takes issue with a number of [...]
    ICAA Record ID: 731869

  • "Las paredes hablan al pueblo!"
    Nel Gómez, Pedro, 1899-1984
    1969
    Pedro Nel Gómez, creator of the controversial frescos of the old city palace in Medellín, which at the time of this writing (2009), houses the Museo de Antioquia—explains his reasons for undertaking that major pictorial series. He also provides [...]
    ICAA Record ID: 1093449

  • "Leo" publicista singular
    Misle, Carlos Eduardo
    1983
    In this text, reporter Carlos Eduardo Misle, alias “Caremis,” remembers Venezuelan draftsman and humorist Leoncio Martínez, known as LEO, on the forty-second anniversary of his death. “Caremis” mainly discusses Leo’s work in advertising, [...]
    ICAA Record ID: 1167978

  • "Magnet - New York": conceptual, performance, environmental, and installation art by latin american artists in New York
    Stellweg, Carla
    1988
    In this article, scholar Carla Stellweg discusses the position of New York as the world art center during the 1960s and ‘70s, which attracted many artists from Latin America who came eager to experience its artistic effervescence firsthand. Through [...]
    ICAA Record ID: 841710

  • "Malasartes" vai nascer, debatendo a situação do artista brasileiro
    Zílio, Carlos; Vergara, Carlos; Gerchman, Rubens, 1942-2008; Caldas Júnior, Waltércio
    1975
    Carlos Zílio, Carlos Vergara, Rubens Gerchman, and Waltercio Caldas, cofounders of Malasartes magazine, co-wrote this article in which they discuss the magazine’s genesis and the goals it set out to accomplish as a monitor of Brazilian art in the [...]
    ICAA Record ID: 1110556

  • "Mis obras son un trabajo abstracto muy planificado..."
    Espinoza, Eugenio, 1950-
    1985
    In this essay, Eugenio Espinoza analyzes Dibujos sin papel [Drawings Without Paper], a series of works by Gego, a Venezuelan artist of German origin. Espinoza focuses on the works from that series created in 1985 as he explores the way Gego goes [...]
    ICAA Record ID: 854691

  • "Nada está flotando..."
    Gutiérrez, Natalia, 1954-
    2009
    In this essay, which is the introduction to the book Ciudad–Espejo [City–Mirror] (2009), the Colombian critic Natalia Gutiérrez bases her review of Colombian contemporary art on the works presented at the 39 Salón Nacional de Artistas [39th [...]
    ICAA Record ID: 1099231

  • "No hay peor que el pintor que el no quiere ver": sobre el premio a López Antay
    Gargurevich, Juan, 1934-
    1976
    In this newspaper article Juan Gargurevich criticizes the negative opinions expressed by the painter Juan Manuel Ugarte Eléspuru, who opposed the decision to award the 1975 National Culture Prize for art to the Andean altarpiece artist Joaquín Ló [...]
    ICAA Record ID: 1136027

  • "No tan furris como otras de a peloncha"
    González Mello, Renato
    2008
    José Clemente Orozco did not publish any more political caricatures after the 1913 Decena Trágica [Tragic Ten Days]. This paragraph discusses at length the late-nineteenth-century transition from the end of the traditional press to the efficiency [...]
    ICAA Record ID: 796146

  • "No todos nos quieren ni en Lima ni en Ayacucho": así comentó sobre cuestionamiento a premio
    1975
    This is an interview with Joaquín López Antay, the Andean altarpiece artist who was awarded the Peruvian National Culture Prize in 1975. He describes certain aspects of his life and work, and responds to the criticism prompted by the recognition of [...]
    ICAA Record ID: 1135930

  • "O que me interessa é essa coisa indefinidamente sugestiva..."
    Felix, Nelson; Resende, José; Pape, Lygia; Ramos, Nuno, 1960-; Naves, Rodrigo, 1955-
    1998
    Interview with artist Nelson Felix conducted by art critic Rodrigo Naves and three artists: Lygia Pape, José Resende and Nuno Ramos (São Paulo, May 24, 1997). Felix comments on his education as an architect; his love of music; his first drawings, [...]
    ICAA Record ID: 1111433

  • "Oh Colo how you perform contradiction? let we count the ways" : Martha Wilson in conversation with Papo Colo
    Wilson, Martha, 1947-; Colo, Papo
    1986
    In this conversation between Nuyorican artist Papo Colo, and feminist performance artist Martha Wilson, Colo describes his performances from 1976 to 1986 in chronological order. The conversation with her provides succinct descriptions of the [...]
    ICAA Record ID: 849850

  • "Omelette" a la Guillermo Marín : en la Galería Carlos Alberto González
    Pignalosa, Maria Cristina
    2001
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1100804

  • "On Ice" : Amsterdam Fev. 78
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    The eleventh issue of Nervo Óptico shows the sequential photographic record of a performance presented by Flávio Pons, Cláudio Goulart and Vera Chaves Barcellos in Amsterdam in February 1978. Entitled On Ice, the event consisted of a gradual [...]
    ICAA Record ID: 1110923

  • "Ondina" : grupo teatro acto latino
    Monsalve, Juan
    1983
    Theater director Juan Monsalve wrote the monologue Ondina (1983) specifically for María Teresa Hincapié, who was an actor at the time. This text, which is influenced by the Japanese theater of fragmentation that emerged after World War II, is a [...]
    ICAA Record ID: 1087824

  • "Out"-arte?
    Barros, Stella Teixeira de
    1984
    This article by the art critic Stella Teixeira de Barros provides a general overview of Brazilian urban art presentations and performances since the 1960s. It also classifies the production of “street art” in three basic categories: 1. Anonymous [...]
    ICAA Record ID: 1110669

  • "Pau-Brasil", marca de fábrica
    Andrade, Oswald de, 1890-1954
    1992
    Oswald de Andrade explains that the term Pau-Brasil [Brazil Tree, which yielded the wood that was exploited for export and gave the country its name] that he used in his 1924 manifesto was intended as a “slogan,” an invention with which [...]
    ICAA Record ID: 784867

  • "Performances" en la Galería de Arte Nacional
    Flores, Elsa
    1981
    In this article, Elsa Flores comments on the performances of a group of “action-language artists” gathered by the actor, Marco Antonio Ettedgui, who is also a performance artist. Together, they designed and presented their plans at the Galería [...]
    ICAA Record ID: 1055962

  • "Quiero que me vean con los ojos, no con los codos" : Eugenio Espinoza en la orla del arte
    Wisotzki, Rubén
    1992
    In this interview, the journalist Rubén Wisotzki asks Eugenio Espinoza about Orla, the exhibition presented at the Museo de Arte Contemporáneo Sofía Imber in Caracas, in 1993. The Venezuelan artist believes that the exhibition was a moment for [...]
    ICAA Record ID: 866278

  • "Reticulárea" de Gego
    Guevara, Roberto, 1932-1998
    1969
    Roberto Guevara reviewed Gego’s Reticulárea (1969) when it was first installed at the Museo de Bellas Artes [Museum of Fine Arts] in Caracas. He mentions the artist’s use of space within the Reticulárea, which acquires a new environmental [...]
    ICAA Record ID: 1149318

  • "reticularea" de Gego
    Briceño, Pedro
    1969
    Published in the magazine Imagen in 1969, this article by sculptor and teacher Pedro Briceño takes the reader into the universe of Gego’s Reticulárea. Briceño points out that Gego is an architect as well as an artist, and then describes the [...]
    ICAA Record ID: 1150083

  • "Serie de Cafe" Nitza Tufiño : "A Rafael Tufiño"
    Torruella Leval, Susana
    1981
    This essay, written by curator Susana Torruella Leval, provides a biographical overview of the careers of mural artist, Nitza Tufiño, and her father, Rafael Tufiño—a renowned Puerto Rican painter and printmaker. Leval describes the relationship [...]
    ICAA Record ID: 849746

  • "Signos" de la pintora Mercedes Pardo
    Batallán, Lorenzo
    1964
    The journalist Lorenzo Batallán writes about the impending opening of Signos, the exhibition of works by the painter Mercedes Pardo at the Sala Mendoza (Caracas). In his article, Batallán describes this Venezuelan artist’s experimentation with [...]
    ICAA Record ID: 1155975

  • "Sociedade Anônima" : relatos urbanos
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    This tenth issue of Nervo Óptico, still on an atypical bimonthly schedule, is double the usual size (32cm x 45cm) and folded in the middle. Its cover has the title “Urban Stories: Sociedade Anónima”. In addition, it bears this notice: “Any [...]
    ICAA Record ID: 1110922

  • "Testimonios" de un nuevo arte colombiano
    Erminy, Perán
    1967
    The art critic Perán Erminy reviews and analyzes the exhibition Testimonios organized by El Techo de la Ballena in the context of an international meeting of this group. In this text, Erminy points out what he finds interesting in this exhibition: [...]
    ICAA Record ID: 1168332

  • "The Route of Friendship" : sculpture
    Goeritz, Mathias, 1915-1990
    1970
    Mathias Goeritz describes two projects proposed to the then-president of the organizing committee of the 19th Olympic Games, architect Pedro Ramírez Vázquez: the International Meeting of Sculptors and The Route of Friendship. The artist describes [...]
    ICAA Record ID: 741733

  • "Un mes de desahogos pasionales" : llama B. Salcedo su exposición
    1968
    By way of a brief interview, this text announces the opening of Bernardo Salcedo’s exhibition, Un mes de desahogos pasionales, at UD gallery in Parque de la Independencia in Bogotá. It explains that once the show is over, the works in it will [...]
    ICAA Record ID: 864509

  • “¡Ay, si yo fuera pintor!” : crítica, texto y traducción
    Ospina, Lucas, 1971-
    2006
    Under the title “‘¡Ay, si yo fuera pintor!’: Crítica, texto y traducción”, the artist and critic Lucas Ospina wrote a timely essay. It was published in the second issue of the journal Cuadernos Grises, issued by the Arts Department at the [...]
    ICAA Record ID: 1130135

  • “Abismo” de Rosario López en La Bienal de Venecia
    Viviescas, Víctor, 1958-; Bello, Gilberto
    2007
    This is the record of the interview granted by the artist and researcher Rosario López Parra to UN medios (Centro de Medios de la Universidad Nacional de Colombia–Bogotá) [UN Media (Media Center at the Universidad Nacional de Colombia–Bogot [...]
    ICAA Record ID: 1131598

  • “Campesino, el patrón ya no comerá más tu pobreza” : Finalizó así su patriótica invocación : mensaje del Presidente Velasco
    Velasco Alvarado, Juan, 1910-1977
    1969
    This document is the message to the nation given by General Juan Velasco Alvarado, president of the ruling military junta from 1968 to 1975, on the “Día del Indio, Día del Campesino” (June 25, 1969). The enactment of the historic Agrarian [...]
    ICAA Record ID: 1052108

  • “Grano” y otras obras de Miguel Ángel Rojas
    Serrano, Eduardo, 1939-
    1981
    In 1981, Eduardo Serrano, the director of the Museo de Arte Moderno of Bogotá at the time, wrote a profile introducing to the Colombian public the life and work of young artist Miguel Ángel Rojas, which in Serrano’s view are intrinsically bound [...]
    ICAA Record ID: 860486

  • “He aquí, pues, mis citaciones a la audiencia” : constelaciones y museo fuera de lugar. Jaime Iregui
    Gutiérrez, Natalia, 1954-
    2009
    The text “He aquí, pues, mis citaciones a la audiencia” by Natalia Gutiérrez is the eleventh chapter of ciudad-espejo (2006), a theoretical research project that focuses on artists whose work—mostly in the medium of photography—attempts to [...]
    ICAA Record ID: 1132933

  • “Los viajes del Barón de von Grau”
    Herazo, Álvaro, 1942-1988; Bernal, Delfina
    1978
    This 1978 interview with Enrique Grau by artists Álvaro Herazo and Delfina Bernal provides insight into how Grau viewed the art world. In it, Grau discusses his aesthetic concerns and beliefs as a painter, as well as his inclinations and points of [...]
    ICAA Record ID: 1132724

  • “No se debe esperar a que llegue la inspiración” : Alicia Tafur prepara su exposición
    1963
    This is an article written by the editorial staff at the weekly Magazine Dominical about the life and work of Alicia Tafur, the Colombian artist. It was written on the occasion of the “first large exhibition for Bogotá” at the Banco de la Repú [...]
    ICAA Record ID: 1133397

  • “Tucumán Arde” : obra de vanguardia en la Confederación General del Trabajo de los Argentinos, Regional Rosario
    Secretaría de Prensa de la CGT de los Argentinos, regional Rosario
    1968
    This short news item was prepared as sketchy materials for press release  shortly after the inauguration of the Tucumán Arde [Tucumán Is Burning] exhibition at the CGT (Confederación General del Trabajo) in Rosario. The circumstances of the [...]
    ICAA Record ID: 760161

  • “Tucumán Arde” : una experiencia de la vanguardia plástica
    Bignami, Ariel
    1969
    The author reveals a certain openness when he suggests that the experience created by the avant-garde of Rosario, Argentina, that led to Tucumán Arde [Tucumán is Burning] could be a potential bridge to what he considers the only valid “ [...]
    ICAA Record ID: 750525

  • “Tucumán Arde”- Arg. Respuesta a un cuestionario : para Escuela de Letras, Universidad de La Habana
    Ferrari, León, 1920-
    1973
    León Ferrari writes a detailed evaluation of Tucumán Arde [Tucumán is Burning], framing it within the previous events (Itinerario del ’68) [Timetable for 1968]. In it he points out that “its purpose was to make art into a revolutionary tool, [...]
    ICAA Record ID: 761415

  • “Visibilia” en el punto neutro de la figuración
    Chacón, Alfredo, 1937-
    1982
    ‘Visibilia’ en el punto neutro de la figuración is Alfredo Chacón’s essay about Visibilia, the graphic designer Gerd Leufert’s exhibition at the Museo de Bellas Artes, Caracas, in 1966. Chacón approaches his review from a comfortable, [...]
    ICAA Record ID: 1160567

  • (?)? Pergunta dentro de pergunta
    Basbaum, Ricardo
    2000
    In this text, artist Ricardo Basbaum reflects on specific aspects of his production in order to investigate the broader issues underlying his Novas Bases para a Personalidade (NBP) project. By means of the oral style of the text, the artist engages [...]
    ICAA Record ID: 1110995

  • (Áudio-visuais)
    Morais, Frederico, 1936-
    1973
    According to Frederico Morais, the emergence of audiovisual work in several exhibition halls was linked to the introduction of the “object” category that freed up other more traditional categories. In his opinion, “the object” implied a [...]
    ICAA Record ID: 1110792

  • (Hace dos años Bonome mostraba en la sala principal...)
    Berni, Antonio, 1905-1981
    1961
    Antonio Berni introduces Rodrigo Bonome’s exhibition of landscape paintings at the Galería Velázquez in Buenos Aires (1961) with a formal discussion on order in composition, and on color [...]
    ICAA Record ID: 775779

  • (Pablo Neruda, en su Arte poética publicada...)
    Porter, Julio
    1974
    Julio Marsagot—the nom de plume used by Julio Porter—describes and reviews the work presented by Liliana Porter at the Liliana Porter exhibition at the Galería Colibrí, in San Juan (January 12–31, 1974). The writer discusses how Porter plays [...]
    ICAA Record ID: 777290