Creator: Araújo, Olívio Tavares de×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=9889×

  • [Um dos mais notáveis casos de auto-fidelidade e coerência]
    Araújo, Olívio Tavares de
    1986
    Olívio Tavares de Araújo introduces an exhibition of the work of Evandro Carlos Jardim, an artist he considers serious, upright, and aware of long-term standards in art. The writer notes that this was the first time the artist would be showing [...]
    ICAA Record ID: 1111357

  • Novos pintores à paulista
    Araújo, Olívio Tavares de
    1983
    This article by Olívio Tavares de Araújo discusses the exhibition Pintura como meio (1983) held at the Museu de Arte Contemporânea da Universidade de São Paulo (MAC-USP), which at the time was directed by Aracy Amaral. The exhibition brought [...]
    ICAA Record ID: 1111350

  • Partes para um ensaio (d’après Baravelli)
    Araújo, Olívio Tavares de
    1987
    In this text, Olívio Tavares de Araújo presents the retrospective exhibition of Luiz Paulo Baravelli. While the basis for Baravelli’s proposal is coherent and free, Tavares de Araújo acknowledges the importance of intuition in its formulation. [...]
    ICAA Record ID: 1111204

  • Com os olhos da história
    Araújo, Olívio Tavares de
    1986
    In addition to organizing and introducing a retrospective exhibition of the work of Alfredo Volpi, Olívio Tavares de Araújo discusses the focus of that show. The exhibition included works with a range of color variations on the same formal design, [...]
    ICAA Record ID: 1111203

  • Antônio Henrique em alto mar
    Araújo, Olívio Tavares de
    1981
    These paintings by Antonio Henrique Amaral are introduced in this text by Olívio Tavares de Araújo, who calls into question the terms “realism” and/or “hyperrealism” used to describe the artist’s work. In the writer’s opinion, these [...]
    ICAA Record ID: 1111202

  • [Na mesma medida em que]
    Araújo, Olívio Tavares de
    1985
    Olívio Tavares de Araújo introduces an exhibition of the work of Farnese de Andrade, an artist then known in Rio, but not in São Paulo. The writer brings up the strange nature of this artist from Minas Gerais, under the label of “mineiridad.” [...]
    ICAA Record ID: 1111201

  • Sistema de arte em questão : o que fazer?
    Figueiredo, Aline; Magalhães, Fábio; Amaral, Aracy A., 1930-; Resende, José; Araújo, Olívio Tavares de; Pontual, Roberto, 1939-; Loio-Pérsio, 1927-2004; Geiger, Anna Bella; Abramo, Radha; Morais, Frederico, 1936-
    1978
    The magazine Arte Hoje published a dossier of brief texts by Brazilian critics Aline Figueiredo, Aracy Amaral, Radha Abramo, Frederico Morais, Olívio Tavares Araújo, and Roberto Pontual; and by artists José Resende, Loio Persio, [...]
    ICAA Record ID: 1111082

  • Sobre a chegada de Sérvulo ao livro objeto (onde também se fala do binômio de Newton)
    Araújo, Olívio Tavares de
    1976
    The art critic Olívio Tavares Araújo claims to see certain parallels and similarities between Sérvulo Esmeraldo’s “object-poems” and the kinetic works known as “Excitáveis” [Excitables] that the Brazilian artist was producing in the [...]
    ICAA Record ID: 1110763

  • Um panorama brasileiro
    Pontual, Roberto, 1939-; Araújo, Olívio Tavares de; Sampaio, Márcio; Câmara Filho, João, 1944-; Figueiredo, Aline
    1976
    The authors of this jointly-written article were the consultants for Arte Agora I - Brasil 70-75, the exhibition organized by the Museu de Arte Moderna do Rio de Janeiro in 1975. The art critics Roberto Pontual, Olívio Tavares Araújo, Márcio [...]
    ICAA Record ID: 1110604

  • Semana nacional de poesia de vanguarda: comunicado e conclusões
    Pontual, Roberto, 1939-; Morais, Frederico, 1936-; Xisto, Pedro; Leminski, Paulo; Sampaio, Márcio; Araújo, Olívio Tavares de; Santiago, Haroldo; Araújo, Henry Corrëa de; Lucas, Fábio; Parduani, Célio Cesar; Cunha, Ubirasçu Carneiro de; Pignatari, Décio; Pinheiro, Luiz Adolfo, 1940-; Neves, Libério; Campos, Augusto de; Nunes, Benedito, 1929-; Campos, Haroldo de; Avila, Affonso, 1928-; Lima, Luiz Costa, 1937-; Araujo, Laís Corrêa de; Sant'Anna, Affonso Romano de
    1963
    There are four subsections in the manifesto written by the Brazilian art critic Roberto Pontual: a) Awareness of the Form (that defines Brazilian poetry as a participating avant-garde whose function is to be creatively critical; b) Communication and [...]
    ICAA Record ID: 1110501