Documents of Latin American and Latino Art

In this article, Luis Fernández Prada detects “a tendency to vindicate our coast,” one that, because lacking in a clear agenda, might end up becoming an authentic school of art. He points out, in contrast, the artistic deficiencies of “sierra- [...]

In this text, Luis Fernández Prada asserts that Ricardo Grau’s show of painting is “worthy of note” in a prudish Peruvian art scene characterized by unremarkable shows. In his view, the show “constitutes a resounding reaction against [...]