Documents of Latin American and Latino Art

In 1997, the curator José Ignacio Herrera wrote this pamphlet on the evolution of printing in Venezuela from its beginnings in the nineteenth century through the development of the graphic arts in the twentieth century. The curator reviews the [...]

This is José Ignacio Herrera’s essay about the works on paper (or in which paper plays a key role) created by three of the four participants in the exhibition Uno, Dos, Tres, Cuatro (Caracas: Museo de Bellas Artes, 1991): Héctor Fuenmayor, [...]