Documents of Latin American and Latino Art

Analyzing the work of Venezuelan artist Diana López, critic Jesús Fuenmayor highlights the most salient features of her work from the beginning of the 1990s (when she began her artistic career) up to the moment that the exhibition he is reviewing [...]

Curator Jesús Fuenmayor explores the work of Venezuelan artist Diana López on the basis of her participation in an annual show at PS 1 Contemporary Art Center, in New York. The theme López presented for that show was the result of her experiences [...]

The curator Jesús Fuenmayor introduces Inmobilia (Sala Mendoza, Caracas, 1997), the exhibition of works by the Venezuelan photographer Luis Molina Pantin. Fuenmayor uses the idea of a “frame” as a metaphor in his review of the artist’s [...]

In this essay, Venezuelan art critic and curator Jesús Fuenmayor analyzes three different aspects of the Salón CANTV de Jóvenes Con-FIA held in Caracas in 1998: (I) the importance of institutional and alternative spaces as a platform for emerging [...]

In this essay written for the exhibition Jump Cuts: Venezuelan Contemporary Art, Colección Mercantil, held in 2007, Venezuelan critic and curator Jesús Fuenmayor uses the cinematographic notion of “the jump cut” to formulate a vision of [...]