Creator: Carreño, Freddy×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=13305×
  • [Tal vez resulte un lugar común afirmar que...]
    Carreño, Freddy
    1988
    In this essay on the fourth Bienal Nacional de Escultura Francisco Narváez (Museo de Arte Contemporáneo Francisco Narváez, 1988), the critic Freddy Carreño introduces the reader to the history of sculpture from its beginnings. The writer points [...]
    ICAA Record ID: 1162982

  • Al sur del paralelo 8 : Arte y confrontación : Argumentos para un debate.
    Carreño, Freddy
    2003
    The critic and curator Freddy Carreño seeks to present the structural underpinnings of the V Bienal de Guayana (Ciudad Bolívar, 1997), whose central theme focused on the Venezuelan region of Guayana, a vast region endowed with significant [...]
    ICAA Record ID: 1162247

  • Construido desde lo sensible
    Carreño, Freddy
    2001
    This essay about the Venezuelan painter and printmaker Mercedes Pardo describes the kind of aesthetic experience her work tends to produce in the viewer. According to the curator and critic Freddy Carreño, Pardo’s work transmits a “skillfully [...]
    ICAA Record ID: 1142933

  • Harry Abend : la escultura como medio
    Carreño, Freddy
    2003
    In his essay on the work of sculptor Harry Abend, architect Freddy Carreño explores the notions of “modernism,” “Postmodernism,” and “contemporary” in order to contextualize Abend’s work. After providing an overview of Abend’s [...]
    ICAA Record ID: 1157545