Documents of Latin American and Latino Art

In this article, Venezuelan critic and professor Mónica Amor refutes the constructivist and organicist approach that has been used to understand Gego’s work. That approach, she claims, does not address the way Gego’s production undermines [ [...]

Curator Mónica Amor analyzes the exhibition, Sin fronteras/ Arte latinoamericano actual, held at the Museo Alejandro Otero in Caracas in 1996. She discusses the significance of the show in the context of the debates that had taken place in the [...]

In this essay, Mónica Amor analyzes the contribution that the work by Gego, Reticulárea, has made to contemporary art. She claims that Reticulárea is a radical attack on the way architecture defines space, as well as the conventions of sculpture, [...]

In this article on Óscar Muñoz’s work, the art critic Mónica Amor emphasizes the predominant role played by chance in his two series: Cortinas de baño [Shower Curtains] and Narcisos [Narcissi], as well as the secondary role played by the artist [...]