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Depois das vanguardas
1983While this analysis of contemporary Brazilian art by Otília Arantes focuses on the period that spans from 1965 to 1969, it comments as well on the fifties, seventies, and eighties. For the sixties generation, Arantes argues, making art meant [...]ICAA Record ID: 1111295 -
Os novos museus
1991Looking to her background in philosophy, Otília Arantes analyzes the transformations that have ensued in the relationship between the viewer and the work of art. Structural changes in museums, she argues, have given rise to “new museums” [...]ICAA Record ID: 1111217 -
Os dois lados da arquitetura francesa pós-Beaubourg
1998In this text, researcher Otília Arantes reflects on the impact of recent initiatives in France to restore the country’s position as a world center of twentieth-century cultural production. The projects undertaken and investments made form the [...]ICAA Record ID: 1111216 -
De "Opinião-65" à 18ª Bienal
1986Looking through the prism of her philosophical education, Otília Arantes explores the different approaches taken as a result of the Brazilian political situation⸺following the military coup d’etat that installed an iron-fisted [...]ICAA Record ID: 1110641