Documents of Latin American and Latino Art

In this essay, the Argentinean critic Héctor Agosti presented the conceptual origins of “artistic critique” from a Marxist ideological viewpoint. He reflects on the complexity of the artistic creativity, which responds, but not automatically, to [...]

This essay by Héctor Pablo Agosti discusses the philosophical grounds of the new realism as viewed from the perspective of a dialectical knowledge of outer reality. Agosti preferred to call it “dynamic realism,” which he conceived as being a [...]