Creator: Richard, Nelly, 1948-×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=10912×
  • Chile en la XII Bienal de París
    Richard, Nelly, 1948-
    1983
    In her essay Chile en la XII Bienal de París (Chile at the Twelfth Paris Biennial), Nelly Richard compares the history of Latin American art to the history of art (in its most visible European and North American versions) on the occasion of [...]
    ICAA Record ID: 734895

  • Culturas latinoamericanas : ¿culturas de la repetición o culturas de la diferencia?
    Richard, Nelly
    1983
    Nelly Richard ponders the state of contemporary art in Latin American cultures, both in terms of its circulation and regarding its frame of references. She wonders whether international themes and subjects are repeated at a local level or whether new [...]
    ICAA Record ID: 732082

  • El arte en Chile : una historia que se recita, otra que se construye
    Richard, Nelly, 1948-
    1979
    In the document El arte en Chile: una historia que se recita, otra que se construye (Art in Chile: One Historical Account That Is Recited, Another That Is Constructed), Nelly Richard discusses the historical skullduggery involved in that particular [...]
    ICAA Record ID: 730164

  • El caso "Simón Bolívar" : o el arte como zona de disturbios
    Richard, Nelly, 1948-
    1994
    In this essay “El caso Simón Bolívar o el arte como zona de disturbios” (The Simón Bolívar Case, or Art as a Site of Civil Unrest), Nelly Richard addresses the outrage expressed in the Santiago press and by the general [...]
    ICAA Record ID: 756001

  • La esquina como juntura y desencuadre = The corner : coupling and defocus
    Richard, Nelly, 1948-
    2004
    The author, Nelly Richard, suggests an analogy between Galería Metropolitana’s location in an outlying area of the city (Comuna Pedro Aguirre Cerda in Santiago) and its editorial approach. She uses symbolic opposites, such as center and [...]
    ICAA Record ID: 753579

  • La puesta en escena internacional del arte latinoamericano: Montaje, representación.
    Richard, Nelly, 1948-
    1994
    The essay “La puesta en escena internacional del arte latinoamericano: montaje, representaciones” [The International Staging of Latin American Art: Assembly, Presentations], by the French-Chilean cultural critic Nelly Richard, is in the archives [...]
    ICAA Record ID: 755084

  • Sobre arte y política(s) : contraoficialidad, poder y lenguajes
    Richard, Nelly, 1948-
    1989
       In her essay “Sobre arte y política(s): contraoficialidad, poder y lenguajes,” written for the exhibition catalogue Cirugía plástica (Plastic Surgery), Nelly Richard reflects on the socio-political and [...]
    ICAA Record ID: 736073

  • Trama urbana y fugas utópicas
    Richard, Nelly
    1999
    In her essay “Trama urbana y fugas utópicas” (Urban Fabric and Utopian Flights), Nelly Richard discusses CADA (Colectivo Acciones de Arte) two decades after the group launched its program of urban actions in Santiago. She describes the [...]
    ICAA Record ID: 740281

  • Una resta de sentido
    Richard, Nelly, 1948-
    1986
    In this essay, Nelly Richard discusses some of the “art actions” that Lotty Rosenfeld—a member of the art action group known as CADA—created on public roads and highways in Chile. Rosenfeld altered traffic signage and lines on [...]
    ICAA Record ID: 734543