Creator: Cerón, Jaime, 1967-×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=10791×
  • Entre el cuerpo ausente y su saturación
    Cerón, Jaime, 1967-
    2002
    This essay by the critic Jaime Cerón appeared in the catalogue for the exhibition Ruven Afanador presented at Fotomuseo in 2002. Cerón divides his essay into three sections, as follows: i) “Entrada” [Entrance], in which he describes photography [...]
    ICAA Record ID: 1133980

  • Ficciones artificiales : representaciones culturales en el trabajo de Alberto Baraya
    Cerón, Jaime, 1967-
    2006
    In this document, Jaime Cerón reviews the work of the Colombian artist Alberto Baraya, discussing his early works such as Autorretrato según van Eyck [Self-Portrait in the Style of van Eyck] (1988) and Mitificación artificial de una pintura [ [...]
    ICAA Record ID: 1132048

  • Manual
    Cerón, Jaime, 1967-
    2006
    This article, entitled “Manual,” by the art critic and curator Jaime Cerón, appeared in a magazine devoted to the work of Humberto Junca. It was published on the occasion of Junca’s participation in Enfoques [Focuses] (2006), the program that [...]
    ICAA Record ID: 1131451

  • Performance en la ciudad de Cali, un festival en acción
    Cerón, Jaime, 1967-
    2006
    In this text, curator and critic Jaime Cerón praises HelenaProducciones for having organized the Festival de Performance of Cali (1990-2009). He describes the historical context for the collective’s important social and artistic work in the [...]
    ICAA Record ID: 1129342

  • Transgresiones urbanas : construcción del espacio público mediante el vandalismo gráfico
    Cerón, Jaime, 1967-
    2007
    This text was published as one chapter of the 2007 book Dibujos de la calle by the School of Arts at the Universidad de Bogotá – Jorge Tadeo Lozano, written by the members of the Excusado Printsystem collective. The chapter clearly and concretely [...]
    ICAA Record ID: 1093369