Creator: Aguilar, José Hernán, 1952-×
  • Pintando con números
    Aguilar, José Hernán, 1952-
    In the article “Pintando con números” published in Bogotá-based newspaper El Tiempo on October 13, 1991, art critic José Hernán Aguilar reviews a solo exhibition of work by Carlos Salas Silva. The exhibition was held at Gaula, a venue that [...]
    ICAA Record ID: 1134646

  • [Las relaciones espacio- temporales inherentes al video...]
    Aguilar, José Hernán, 1952-
    This article is from the brochure for one of the first video installations ever to be exhibited in Colombia: Gilles Charalambos “Tortas de trigo”; it was shown at the Museo de Arte Moderno in Bogotá in 1981. In the article, José Hernán Aguilar [...]
    ICAA Record ID: 1133964

  • Un exquisito “déja vu”
    Aguilar, José Hernán, 1952-
    “Un exquisito ‘déjà vu’”is an article written by the critic and historian José Hernán Aguilar. It is a review of an exhibition of paintings by Carlos Salas. The article begins by describing what the author sees as a paradoxical problem [...]
    ICAA Record ID: 1133804

  • En el proceso regional de la autobiovanguardia
    Aguilar, José Hernán, 1952-
    The critic, José Hernán Aguilar, presents Alicia Barney as one of the Colombian artists who developed visual work that brought various kinds of ideas into play in the 1980s. The themes she portrayed included personal, regional, political, national [...]
    ICAA Record ID: 1099156

  • La pintura como objeto
    Aguilar, José Hernán, 1952-
    The critic, José Hernán Aguilar, reviewed Fernando Uhía’s second individual exhibition for El Tiempo, the daily newspaper with the largest national circulation in Colombia. Entitled Pinturas [Paintings], this exhibition was held in 1991 in the [...]
    ICAA Record ID: 1099126

  • VII Salón Atenas : problemas políticos
    Aguilar, José Hernán, 1952-
    The critic, José Hernán Aguilar, reveals a confrontation in the Colombian art world, whose interests square off around the definition of “contemporary art,” using it as a warhorse. The writer asserts that “conservative” critics, artists and [...]
    ICAA Record ID: 1098946

  • Violencia y experimento en vías de desarrollo
    Aguilar, José Hernán, 1952-
    In this article, the critic José Hernán Aguilar discusses an important date in Colombian history: April 9, 1948, the day when the political leader Jorge Eliécer Gaitán died, an event commonly referred to as El Bogotazo. Aguilar mentions the [...]
    ICAA Record ID: 1098192

  • Mandamiento inmortal : Danilo Dueñas en el espacio Gaula en Bogotá : muestra, cómo la abstracción no lo es tanto
    Aguilar, José Hernán, 1952-
    The art critic José Hernán Aguilar reviews the exhibition Adulterado [Adulterated] by Danilo Dueñas at the Gaula, mentioning the different steps the Colombian artist takes to create his works. He points out that Dueñas constantly includes [...]
    ICAA Record ID: 1092398

  • Balas privadas, corazones públicos
    Aguilar, José Hernán, 1952-
    “Balas privadas, corazones públicos” [Private Bullets, Public Hearts] (1994) by the Colombian critic José Hernán Aguilar (b. 1952) is a chapter from the book Nueva imagen [New Image], which presented an overview of sociopolitical and artistic [...]
    ICAA Record ID: 1091846

  • Símbolos de cambio : ¿qué pasó en el arte en esta década de los ochentas?
    Aguilar, José Hernán, 1952-
    In this retrospective article on Colombian art in the 1980s, critic José Hernán Aguilar condemns the unexpected turn that took place on the local art scene when Conceptualism gave way to “the artistic and ideological pluralism” prevalent in art [...]
    ICAA Record ID: 1082825

  • Cambios de imagen
    Aguilar, José Hernán, 1952-
    In this text, Colombian art critic José Hernán Aguilar provides a critique of photography in Colombia in the 1980s, discussing specifically the proposals of avant-garde photographers such as Becky Mayer, Beatriz Jaramillo, Jorge Ortiz, and Adolfo [...]
    ICAA Record ID: 1081310

  • Salón Atenas vs. Salón Nacional
    Aguilar, José Hernán, 1952-
    Published in Re-vista, this article by José Hernán Aguilar reviews the editions of the Salón Nacional de Artes Visuales (XXVIII) and the Salón Atenas (VI) that took place at the end of 1980. In a text that is more analytical than comparative, [...]
    ICAA Record ID: 864569