Documents of Latin American and Latino Art

In this article, Venezuelan critic and professor Mónica Amor refutes the constructivist and organicist approach that has been used to understand Gego’s work. That approach, she claims, does not address the way Gego’s production undermines [ [...]

In this review, the journalist Ana María Mendoza discusses Licantropía—the work by Javier Téllez—which took the prize at the ninth edition of the Premio Eugenio Mendoza (Caracas, 1998). The journalist describes the exhibition and comments on [...]

In 2002, on the occasion of the exhibition, Espacios Transitorios: Rosa Irigoyen y Anaida Hernández [Transitory Spaces: Rosa Irigoyen and Anaida Hernández], held at the Art Museum of the Americas in Washington, DC, the Colombian curator Ana María [...]

Journalist Manuel Lebon interviews artist Javier Téllez about his installation Licantropía on exhibition at the Premio Mendoza in Caracas in 1998. Téllez talks about his childhood and his connection to mental illness due to the fact that his [...]