Topic Descriptor: sample rooms×
  • [Los siete Salones Atenas realizados hasta la fecha dan una idea bastante clarade los intereses y objetivos de arte colombiano... ]
    Serrano, Eduardo, 1939-
    1981
    This curatorial essay for the VII Salón Atenas [7th Atenas Salon] is, to some extent an evaluation of the program created by Eduardo Serrano. The curator and art critic claims that an examination of the various editions of the Salon provides an [...]
    ICAA Record ID: 1098691

  • Al margen del Primer Salón de Artistas Colombianos
    Santos, Gustavo, 1892-1967
    1931
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1101028

  • Crítica destructiva
    Rubiano Caballero, Germán, 1938-
    1967
    From his perspective as a historian and critic, Germán Rubiano Caballero voices his opposition to the remarks in the press regarding the XIX edition of the Salón Nacional de Artistas held in 1967. In the article entitled “Crítica destructiva [...]
    ICAA Record ID: 1132388

  • Cuáles son los tres mejores cuadros de la exposición
    Barrera, Francisco de
    1910
    This is a letter written by Francisco Barrera, a columnist at La Unidad in Bogotá, to Laureano Gómez, in response to his opinion on the best paintings at the Salón de Arte de 1910 [1910 Art Salon]. As his first choice, Barrera chooses and [...]
    ICAA Record ID: 1098796

  • De la exposición : Salón de Bellas Artes : escultura
    1910
    This document is an art criticism that examines the sculpture shown at the Salón de Arte de 1910 [1910 Art Salon] in Colombia. The writer begins by discussing the architects of the pavilion where the exhibition was held, even mentioning the [...]
    ICAA Record ID: 1098826

  • De la exposición : salón de Bellas Artes : pintura
    1910
    This is an anonymous art-criticism article (by R. M.) about the Salón de 1910 [1910 Salon], published on the first page of the conservative newspaper, La Unidad. The writer begins with the hypothesis that the senses are the essential instrument for [...]
    ICAA Record ID: 1098841

  • El campo artístico colombiano en el Salón de Arte de 1910
    Garay Celeita, Alejandro, 1983-
    2006
    In this article, the [art] historian Alejandro Garay Celeita examines the Exposición del Centenario de 1910, particularly the Salón de Arte, to determine how the visual arts related to the hypothesis: “the nation underlies the celebrations.” [...]
    ICAA Record ID: 1093337

  • El jurado designado por la Comisión Nacional de Bellas Artes no contempla las aspiraciones de los plásticos
    Del Cioppo, Atahualpa
    1937
    This article from the AIAPE’s magazine includes several critiques of the decisions taken by the Minister for Public Education, Eduardo Víctor Haedo and the Comisión Nacional de Bellas Artes. The decisions are considered highly inappropriate since [...]
    ICAA Record ID: 1225373

  • El premio otorgado por el INBA al pintor Coronel, ha dividido más a los artistas
    Castro, Rosa
    1959
    The Instituto Nacional de Bellas Artes [INBA, National Institute of Fine Arts] invited all painters, regardless of their trend, to take part in the first Salón Anual de Pintura [Annual Painting Salon]. The selection of works and the awarding of [...]
    ICAA Record ID: 772251

  • El Rabinovich un salón posthistórico
    Fernandez Uribe, Carlos Arturo
    2003
    This article documents the Colombian theoretician Carlos Arturo Fernández Uribe’s opinions concerning the importance of the role played by the salon of Arturo Rabinovich in the promotion of contemporary art in the city of Medellín [...]
    ICAA Record ID: 1100574

  • El Salón Independiente del Ateneo
    Podesta, José María
    1937
    José María Podestá, the writer, art critic, and movie buff, reviews the artists who were part of the Primer Salón Independiente de Artes Plásticas that took place in August 1937 at the Ateneo de Montevideo. This event was, in fact, represented [...]
    ICAA Record ID: 1225501

  • El XV Salón Municipal de Artes Plásticas
    Grupo Toledo Chico (Canelones, Uruguay)
    1966
    Published in 1966 by the Grupo Toledo Chico, the essay “El XV Salón Municipal de Artes Plásticas” is a far-reaching criticism of the Salón Municipal de Artes Plásticas—its organization, bylaws, and administrative and social policy—after [...]
    ICAA Record ID: 1193049

  • El XXXIX Salón de Bellas Artes será abierto esta tarde
    1949
    This article reports on the opening of the Salón Nacional de Artes Plásticas and analyzes some of the award-winning works. It also discusses the work of well-established artists included in the show, even those not awarded prizes. The text [...]
    ICAA Record ID: 824360

  • Inauguró el Dr. Ivanissevich el XXXVIII Salón Nacional de Artes Plásticas : Positivos valores del arte nacional congrega la importante muestra
    1948
    This review of the opening of the XXXVIII Salón Nacional de Artes Plásticas contains a transcript of the speech given by Dr. Oscar Ivanissevich, minister of education during Juan Domingo Perón’s first presidency. In it, Ivanissevich calls Cubism [...]
    ICAA Record ID: 824379

  • Inauguróse ayer el XXXIX Salón de Artes Plásticas
    1949
    This article reports on the opening ceremony of the XXXIX Salón Nacional de Artes Plásticas, where the minister of education, Dr. Oscar Ivanissevich, gave a speech attacking abstract artists. The Peronist official stated that abstract art—which [...]
    ICAA Record ID: 824394

  • La pintura en el V Salón de Otoño
    Vitureira, Cipriano S. (Cipriano Santiago), 1907-
    1944
    In this insightful review of the V Salón Municipal de Bellas Artes, the critic Cipriano Vitureira takes for granted that the worldwide political and social events of the early 1940s demand a renewal in both artistic and thematic terms, particularly [...]
    ICAA Record ID: 1225672

  • Los jurados del próximo Salón Nacional de Bellas Artes
    Ibañez, Roberto
    1937
    Written in the form of a letter, this article discusses the composition of the Comisión Nacional de Bellas Artes, the agency charged with organizing and operating the first Salón Nacional de Artes Plásticas, which includes selecting jurors to [...]
    ICAA Record ID: 1225548

  • Manifesto
    Herkenhoff, Paulo; Porto, Sérgio; Maiolino, Anna Maria; Luz, Rogerio; Meireles, Cildo; Leite, Leonardo Lellis Pereira, 1952-; Resende, José; Córdula, Raul, 1943-; Kleiman, Mauro; Machado, Ivens Olinto; Caldas Júnior, Waltércio; Manuel, Antonio; Barbosa, Monica; Tunga, 1952-2016; Ascânio MMM, 1941-; Macedo, Ronaldo do Rego
    1976
    The text that accompanies this manifesto—that is critical of the Salão de Arte Agora I—describes the Brazilian art market mindset and the resources at its disposal. The manifesto challenges the role of the critic who submits to the prevailing [...]
    ICAA Record ID: 1111318

  • Notas sobre el séptimo salón de artistas colombianos
    Vidales Jaramillo, Luis, 1900-1990
    1946
    In this article, which consists of notes on the Séptimo Salón de Artistas Colombianos held in 1946, critic Luis Vidales Jaramillo addresses six issues. First, he cites the aesthetic doctrine of Italian professor Matteo Marangoni, which he then uses [...]
    ICAA Record ID: 1089559

  • Objeto y Significación de Un Salón de Arte
    Baroffio, Orestes, 1879-1963
    1944
    This is a speech on private art collections given by Orestes Baroffio, the president of the Municipal Commission of Culture of Montevideo in 1944, on the occasion of the opening of the Salón de Arte Extranjero, held at the exhibition center, Subterr [...]
    ICAA Record ID: 1210990

  • Panorama de la pintura joven : la pintura nueva de Colombia
    Gaitán Durán, Jorge, 1924-
    1947
    Poet and occasional art critic Jorge Gaitán Durán asserts that the show Pintores colombianos jóvenes [Young Colombian Painters] was historically significant because it was the first salon of young artists held in Colombia. He states that the event [...]
    ICAA Record ID: 1080548

  • Pintoras colombianas
    Traba, Marta
    1957
    In this text written on the occasion of the Primer Salón de Pintoras Colombianas o Residentes en Colombia [First Salon of Colombian or Residents of Colombia Women Painters] (held at the Compañía Colombiana de Seguros in September 1957), Marta [...]
    ICAA Record ID: 1080517

  • Presentación
    Rincón González, Idelisa
    1993
    Idelisa Rincón, director of the Museo de Arte Contemporáneo Mario Abreu in Maracay from 1991-2000, orients the reader to the organization of the XVIII Salón Aragua. She explains the changes that have occurred in the [salon] by eliminating [...]
    ICAA Record ID: 1163046

  • Primer Salón del Concurso Municipal
    Pereira, Raúl María, 1916-2007
    1943
    In Raúl María Pereira’s opinion, the existence of the Primer Salón Municipal de Pintura in the Peruvian capital is a positive development, despite a number of flaws in the event. First off, with the exception of academic painter Enrique Domingo [...]
    ICAA Record ID: 865403

  • Primera exposición conjunta de artistas plásticos mexicanos y españoles residentes en México
    Chávez Morado, José, 1909-2002
    1952
    In this article the Mexican painter Chávez Morado reviews the first group exhibition presented by Mexican and Spanish artists living in Mexico; the event was conceived as a riposte to the Iberian-American Art Biennial proposed by Francisco Franco’ [...]
    ICAA Record ID: 772450

  • Salón de arte femenino
    1951
    In this text, Colombian art critic Enrike Torregroza, who wrote on international art for a variety of periodicals, analyzes the Primer Salón de Arte Femenino [First Salon of Female Art] held at the Museo Nacional of Colombia in 1951. Torregroza [...]
    ICAA Record ID: 1097772

  • Una opinión sobre el 6° Salón Nacional
    Spatakis, Leonidas, 1911-1977
    1942
    This essay expresses the dissatisfaction felt by the group of AIAPE intellectuals (represented in this case by Leónidas Spatakis) over the approach taken by most of the participating artists at the VI Salón Nacional. In the author’s opinion, the [...]
    ICAA Record ID: 1225722