Topic Descriptor: computer art×
  • Arte eletrônica e cibercultura
    Lemos, André
    1997
    Sociologist André Lemos analyzes cyberculture and artistic production that makes use of electronic and digital media. Art always expresses the imaginary of its time, subsequently postmodern art differs from high modernism insofar as it opts for [...]
    ICAA Record ID: 1111129

  • Arteônica
    Cordeiro, Waldemar, 1925-1973
    1972
    Waldemar Cordeiro considers how art envisioned as information is conveyed in the mass media. Cordeiro acknowledges that art has become less traditional; its scale has changed and it has moved beyond the context of galleries to enter the urban and [...]
    ICAA Record ID: 1110836

  • Computer plotter art : primeira mostra na América Latina
    Cordeiro, Waldemar, 1925-1973
    1970
    The author— Waldemar Cordeiro, a pioneer in the use of computers as a vehicle for artistic expression—provides a brief history of computer generated art in Brazil and around the world. He compares aspects of new technologies to the challenges of [...]
    ICAA Record ID: 1110487

  • Dispositivos interativos : imagens em redes telemáticas
    Prado, Gilbertto
    1997
    In this text, Gilbertto Prado discusses the impact that internet-based interactive devices have had on artistic creation, dwelling in particular on action art projects on the web that enable and seek the direct engagement of interested individuals. [...]
    ICAA Record ID: 1111126

  • Do tipograma ao videograma
    Campos, Augusto de
    1999
    In this essay, São Paulo-based poet Augusto de Campos describes the diverse graphic elements—from the movable types and artisanal resources of conventional typography he used in 1953 to the Intergraph, a high-resolution graphic computer he used in [...]
    ICAA Record ID: 1111025

  • Eduardo Kac: telepresença problematiza a visão
    Kac, Eduardo; Osthoff, Simone
    1997
    This text is an interview by Simone Osthoff with artist Eduardo Kac on his work Rara Avis exhibitedat the first Bienal do Mercosul in Porto Alegre (Rio Grande do Sul) in 1996. Kac points out the important role that new technologies play in the visual [...]
    ICAA Record ID: 1111128

  • Experimentações artísticas em redes telemáticas e web
    Prado, Gilbertto
    1998
    In this 1998 text, the São Paulo writer and artist Gilbertto Prado observes that art experimentation has been multiplying incessantly during the 1980s and 1990s. He points out the artistic use of various new ways of producing, distributing and [...]
    ICAA Record ID: 1111290

  • Los parámetros del arte digital
    Irigoyen, Rosa, 1951-
    2004
    The artist Rosa Irigoyen, who was born in Cuba and lives in Puerto Rico, calls digital technology an excellent resource for innovation in contemporary art. The use of technology is hardly without precedent in the history of art; in the seventeenth [...]
    ICAA Record ID: 1060852

  • Microponto, microficha, videodisco : a arte high-tech em espaço microscópico
    Kac, Eduardo
    1985
    In this text, artist Eduardo Kac discusses the emergence of digital art, which he considers at the margins of, or beyond, the models for production and reflection operative in conventional art. He asserts that art structured around technology and [...]
    ICAA Record ID: 1110966

  • Mundos virtuais e vidas artificiais
    Venturelli, Suzete
    1999
    The artist Suzete Venturelli discusses the different typologies of electronic art designed to create virtual environments that generate multi-sensory experiences. In her opinion, this new horizon in the field of artistic creativity radically [...]
    ICAA Record ID: 1111136

  • Net Art Colombia : es feo y no le gusta el cursor
    Devis, Juan
    2007
    This curatorial essay was written by the movie director and artist Juan Devis for the exhibition Net Art Colombia: es feo y no le gusta el Cursor [Net Art Colombia: It Is Ugly and Does Not Like the Cursor] (http://www.artenlared.org/index.htm) that [...]
    ICAA Record ID: 1133573

  • O caos e a teia: potenciais revelados na complexidade da internet
    Entler, Ronaldo
    1997
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111122

  • O mito da alta definição
    Machado, Arlindo
    1997
    In this 1983 essay, published in a book in 2006, Arlindo Machado describes videotext. Videotext preceded the Internet and, for the first time, “connectivity” and “interactivity” were available on public networks. The first [...]
    ICAA Record ID: 1111113

  • Origem e desenvolvimento da arte robótica
    Kac, Eduardo
    1998
    In this text, artist Eduardo Kac discusses the origin and role of “robotics” in contemporary art, which he argues must be considered in relation to video, performance, telecommunications art, and interactive installations. Though the first robots [...]
    ICAA Record ID: 1111127

  • Primeiros tempos da arte / tecnologia no Brasil
    Zanini, Walter, 1925-
    1997
    In this text, critic Walter Zanini provides a context for the emergence of art influenced by electronic communication technologies in Brazil. He traces the origins of this sort of art to 1968, when painter and theorist Waldemar Cordeiro, in [...]
    ICAA Record ID: 1111029

  • Redes sensoriais: arte ciência e tecnologia
    2003
    This anthology presents the first results of the research undertaken by the Núcleo de Tecnologia da Imagem at the EC-UFRJ (Escola de Comunicação da Universidade Federal do Rio de Janeiro), as well as that by the Centre for Advanced Inquiry at the [...]
    ICAA Record ID: 1111324

  • Software : ¿arte?
    Barragán, Hernando, 1974-
    2002
    This text, “Software: ¿Arte?” [Software: Art?] is part of the book Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos [Hypercube/ok/: Art, Science, and Technology in Neighboring Contexts] that was produced by Andrés Burbano and [...]
    ICAA Record ID: 1093980